Word: prized
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Dates: during 2000-2009
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...deserved triumphs following soon after for Black Orpheus and Federico Fellini's La Dolce Vita. But the design of the trophy itself had a less than stellar start; come 1964, the powers that be at the Festival decided that a return to the original prize was necessary due to copyright issues. The Palme was reinstated in 1975 and, with multiple design changes along the way, it has remained the award craved by auteurs worldwide...
...Chen shared his award in 1993 with New Zealander Jane Campion for her film The Piano - the only woman to take the top prize in Cannes' 62-year history. Ironically, Campion's 1989 debut, Sweetie, had been unceremoniously heckled at the festival. That said, being booed at Cannes is a rite of passage: last year's festival saw new movies by Charlie Kaufman, Lucrecia Martel and Wim Wenders receiving catcalls. That hasn't stopped both Campion and Lars Von Trier - whose latest work, Antichrist, received the biggest critical drubbing of this year's festival - from entering their latest films...
...Palme d'Or (top prize): The White Ribbon, Austria, directed by Michael Haneke...
...Jury Prize (third place, tie): Fish Tank, Great Britain, directed by Andrea Arnold, and Thirst, South Korea, directed by Park Chan-wook...
...runner-up Grand Jury Prize went to Un prophéte (A Prophet), a complex, absorbing, fairly conventional prison drama directed by Jacques Audiard. In the manner of last year's Palme d'Or winner The Class, set in a Paris junior high school, this is a documentary-style study of French minorities in an enclosed environment that sets its own rules. The main tension - and there's plenty in the schemings of rival ethnic gangs - comes from the relationship of a young Arab (Tahar Rahim) and his aged Corsican mentor (Niels Arestrup). When asked at the post-show press...