Word: prizes
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...Chen shared his award in 1993 with New Zealander Jane Campion for her film The Piano - the only woman to take the top prize in Cannes' 62-year history. Ironically, Campion's 1989 debut, Sweetie, had been unceremoniously heckled at the festival. That said, being booed at Cannes is a rite of passage: last year's festival saw new movies by Charlie Kaufman, Lucrecia Martel and Wim Wenders receiving catcalls. That hasn't stopped both Campion and Lars Von Trier - whose latest work, Antichrist, received the biggest critical drubbing of this year's festival - from entering their latest films...
...Palme d'Or (top prize): The White Ribbon, Austria, directed by Michael Haneke...
...Jury Prize (third place, tie): Fish Tank, Great Britain, directed by Andrea Arnold, and Thirst, South Korea, directed by Park Chan-wook...
...runner-up Grand Jury Prize went to Un prophéte (A Prophet), a complex, absorbing, fairly conventional prison drama directed by Jacques Audiard. In the manner of last year's Palme d'Or winner The Class, set in a Paris junior high school, this is a documentary-style study of French minorities in an enclosed environment that sets its own rules. The main tension - and there's plenty in the schemings of rival ethnic gangs - comes from the relationship of a young Arab (Tahar Rahim) and his aged Corsican mentor (Niels Arestrup). When asked at the post-show press...
...shared Jury Prize had to be a disappointment for its two recipients. Arnold had taken the same award three years ago for her first feature, Red Road, and Park snagged the Grand Jury prize in 2003 for Oldboy. But the really startling awards were in the supporting categories. Kinatay, which depicts the torture, beheading and dismemberment of a prostitute, was almost universally reviled. In the critics' poll for Film Francais magazine, this grotty little melodrama from Brillante Mendoza, the forlorn hope of Filipino cinema, was given the lowest rating of any official selection. But somebody must think that Mendoza really...