Word: processes
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Dates: during 1930-1939
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Since your new color-picture policy, I note no lack of "newsworthiness" in your weekly subjects so I should like to ask if a new improved color process has made for speedier use of color plates...
With the Oct. 18 issue, TIME began running weekly four-color covers as an experiment, has since adopted them as a continuing policy. No new color process, but a speeding up of engraving and printing schedules has made this possible. The deadline for color photographs or paintings to reach TIME'S engravers in Chicago is two weeks and four days before publication, which is probably the fastest four-color magazine cover schedule in the world...
...model when they all went to Arizona three winters ago. Broadacre City is Wright's answer to urbanization. He believes some-thing like it is already happening in the movement of people out of cities through suburbs to the open country. Its fulfillment would complete this process, giving every citizen his modicum acre of land in communities spread out along the transportation routes. Frank Lloyd Wright's city, he has said, would be "everywhere and nowhere...
Colorless, odorless, non-inflammable helium gas, with 92% of hydrogen's lifting power, is so far produced in large commercial quantities only at the 18-acre Government plant at Soncy, seven miles from Amarillo, Tex. There by a complicated process of washing, cooling, and separation it is extracted from the natural gas underlying that area. Present production is about 5,000,000 cubic feet out of a 24,000,000 cubic foot annual capacity-with reserves estimated at enough for the next 5,000 years. Two other small plants in the U. S. at Dexter, Kans. and Thatcher, Colo...
...Nothing Sacred" was produced by Selznic International, which is vaguely affiliated with United Artists. David O. Selznic happens to be in the good graces of John Hay Whitney, who owns the Technlcolor process, the best color process developed commericially to date. Last year he produced "A Star is Born," with all those frightful orange and blue sunsets. After much experimenting, for which his color director, William A. Wellman, deserves great credit, he has produced in "Nothing Sacred" the most true-to-life film yet to appear. When Miss Lombard is draged out of the East River, she looks wet. When...