Word: processes
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Dates: during 1960-1969
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...touchstone of division, the litmus test of loyalty. Nixon's aim is to demonstrate to Hanoi that the protesters do not speak for the American public, and so gain time and leverage for his plan for a gradual U.S. disengagement from Viet Nam. In the process, the Administration is splitting conservatives from liberals, drawing a line between dissenters and Americans who are sick of dissent-more so than of the war itself...
...constant action Rules is consistent with Renoir's earlier films, constructed not on clearly patterned moral relationships but on the process of events. What unifies his works in the thirties is not the working-out of themes in a film so much as the constant detail-in-motion of social and personal life. All actions tend to equal importance as Renoir gives each character minor mannerisms and gestures to fill each moment. A surface of action gives his films a continuity of realistic events...
...refusing to take his murder seriously the characters remove all ideal depth from life. They dedicate themselves to a world of dark confusion, textures of broken light and shadow without order, violent emotional events with scant meaning. In thus interpreting the continuity of social process and order after individual death, Renoir finally recognizes the seriousness of his material. His fluid and continuous relationships between men, his heroes' deaths at the hands of society are given the atmosphere of horror they deserve. Renoir is morally engaged in Rules of the Game as in few other films...
...chides the militants for their sober-sidedness. They want participatory democracy and dream up utopian reforms. Good. But the Benedictines had participatory democracy 1200 years ago and kept a spirit of contemplation, joy, work and celebration in the process. He might have criticized them for their anti-intellectualism too. If old forms sell you out, dream up new ones...
...juxtapose past solutions and future possibilities next to our present situation. This element of futurity gives man the thrust forward toward the Christ of the possibles. He is the One who comes in Glory as well as being the One who was and the One who is. In the process of thanking the Catholics for letting go of their nostalgia for the Middle Ages, he states that theology should be tied to its historical roots or suffer the loss of one necessary dimension-a past. The line of continuity has broken...