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Teddy E. Chestnut ’06 questioned why Barro chose the CPI as opposed to another index such as the Gross Domestic Product Deflator or the Higher Education Price Index...

Author: By Jeffrey C. Aguero, CRIMSON STAFF WRITER | Title: Activities Fee Position Papers Removed From Referendum | 4/26/2004 | See Source »

...Asian-American community, male and female, gay and straight. Most objectionable of all is the underlying assumption that it is race that dictates personality, that traits such as slavish imitation, “inscrutability” and “delicateness” are no accident, but the product of birth, and as intrinsic to Asian-Americans as their hair color. It is the racial basis of stereotype, and not any one specific stereotype, that is offensive; for example, a piece exploiting the old depiction of black American men as hypermasculine would be no less deplorable. And yet, oddly...

Author: By Robin J. Tang, | Title: Asian or Just a Person Like You? | 4/26/2004 | See Source »

...have a very exclusive product here and we feel that the market is the right fit,” Kerry Barnes, the director of retail stores for Adidas, said last night at a promotional party for the new store...

Author: By Wendy D. Widman, CRIMSON STAFF WRITER | Title: Adidas Originals Store Opens Today In Square | 4/23/2004 | See Source »

...most notably Five Fingers of Death. (The Good, the Bad, and the Ugly is also clearly an inspiration for a few specific shots.) But seen as the kung fu cowboy, Tarantino’s films always seem to fall flat with the suspicion that his work is not the product of genius, but of an uncanny number of late nights in front of the television. This view of Tarantino is perhaps his own fault, since in interviews he so often harps on the elements of pop culture in his films—on the cool. But Tarantino, the cool director...

Author: By Zachary M. Seward, CRIMSON STAFF WRITER | Title: Film Review: Kill Bill, Vol. 2 | 4/23/2004 | See Source »

...career, but these days it is understood that both mortals and the super-famous make mistakes. As a result, fame is no longer just about the quality of a performer’s latest film or album—it’s also about how that product seems to play into a singer or actor’s strategy to conserve his or her celebrity...

Author: By Nathan Burstein, CRIMSON STAFF WRITER | Title: The Art of the Hollywood Resurrection | 4/23/2004 | See Source »

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