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...from sheer joy to complete misery. The sound produced by the orchestra was stylish, heartfelt, and on the whole, refined. Director Anna Fisher and Producer Sarah Eggleston ’07 led an artistic staff of LHO’s production that was highly commendable. Unlike some modernist opera productions??which sometimes seem too simplistic—“Otello” was a meticulously researched period production. 15th century costumes, a monstrous castle set, and even flags were featured prominently in the production. The set itself proved to be one of the production?...

Author: By Diego H. Nunez, CONTRIBUTING WRITER | Title: Despite Constraints, 'Otello' is Impressive | 3/9/2009 | See Source »

...Furthermore, Wong’s suggestion that Harvard’s theater is confined to “precedent” and lacks “risk-taking” is absurd. The upcoming season alone displays an incredibly creative range of productions??with many diverse casting opportunities—from an original multimedia, movement-based production about love and atomic physics to a new interpretation of an ancient Greek feminist comedy. And, while I disagree with Wong’s idealization of gender-blind and race-blind casting as a kind of theatrical cure...

Author: By Benjamin K. Glaser | Title: The New Era Is Now | 3/8/2009 | See Source »

...productions??s set and costumes were some of its greatest strengths. The set, designed by Stephany Y. Lin ’11, successfully captured the feeling of a dream-like, enchanting forest with its painted border and two trees made with incredible texture. Change in setting was signified gracefully by a switch in backdrop, particularly when the silhouettes of a forest became one of a city to indicate a move from the forest to London. Costume designer Antonia M. Pugilese ’12 emsured that the fairy costumes were appropriately sparkling and whimsical. The costumes...

Author: By Stephanie M Bucklin, CONTRIBUTING WRITER | Title: Gilbert and Sullivan's 'Iolanthe' Delights | 12/8/2008 | See Source »

...some of the first incentives at the turn of the millennium, the weak Canadian dollar and the tax credits were enough to lure many Hollywood films out of the country altogether. An ensuing uproar within the American film community sparked a move to entice these “runaway productions?? to remain in the lower 48, and many states formerly unfamiliar with film production found their way into the industry. Currently, approximately 80% of American states provide some benefit—ranging from sales tax exemptions to tax credits—to films that shoot within their borders...

Author: By Beryl C.D. Lipton, CRIMSON STAFF WRITER | Title: Projected Benefits | 11/6/2008 | See Source »

...Crimson to call for a “regulation of drama at Harvard” to keep the “drama renaissance more a flowering and less a mushrooming” in a 1957 editorial. The HDC was solicited to set up a master calendar of dramatic productions??much like the one in place today—in order to prevent competition for ticket sales and end the “glut and fast” of theater goers who were forced to choose between five productions in one weekend, and zero the next...

Author: By Nayeli E. Rodriguez, CRIMSON STAFF WRITER | Title: Staged Renaissance | 6/1/2007 | See Source »

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