Word: professors
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Dates: during 2000-2009
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...Civil Procedure or the Local Rules of this Court, or to dispense with them where they fail to suit his counsel’s teaching style,” Gertner wrote. “….While the Court understands that counsel for the Defendant is a law professor, and that he believes this case serves an important educational function, counsel must also understand that he represents a client in this litigation—a client whose case may well be undermined by the filing of frivolous motions and the failure to comply with the Rules...
...from backing down, Nesson was already incubating a new assault on convention. The First Circuit decision against Web-casting came on April 16. Just a couple of weeks earlier, the professor had made waves in the legal community when he posted an e-mail chain to his blog suggesting an idea for a new, radical defense. Perhaps individuals like Tenenbaum, downloading music for free on-line several years ago when there weren’t any suitable for-pay options such as iTunes, weren’t committing a copyright infraction. Perhaps, Nesson now surmised, such activity wasn?...
...people, traditionally does not. And, according to Nesson’s colleagues, it was nearly unthinkable that such a precedent would be changed. “I’m worried by your statement that “our case is fair use,” wrote Harvard Law professor Terry Fisher, who had been slated as a witness for the Tenenbaum side. “I fear that what I have to say will not contribute to that assertion. Moreover, I will be subject to cross-examination, in which I will have to say the opposite...
...Wednesday morning late last September, in the skyscraper-bound Boston law offices of the commercial law firm Robinson and Cole. Just steps away, in a small Starbucks coffee shop situated right off the windswept brick pavement of Government Center square, the notoriously quirky Harvard Law professor Charles R. Nesson ’60, still in his first week representing Tenenbaum, prepped his young client in the moments before the encounter...
...duration of one September day, Suite 2500 in the One Boston Place skyscraper housed a struggle between two narratives about the American legal system’s adaptation to a world transformed by the powerful technologies of the last decade. On one side was the free-thinking professor, the king of the copyright-left, the self-avowed champion of openness and liberation, of an unfettered Internet and all its trappings. On the other were the corporate professionals from the Recording Industry Association of America—the Institution, the upholders of regulation and federal conservatism. Nesson, armed with a digital...