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...characters are never given names, an obvious choice on Saramago's part to emphasize the slightly ridiculous nature of the idea that humans are distinct. Individuality crumbles when self-survival becomes the primary objective and everyone eventually realizes that, at their core, they are profoundly, horribly, the same. "Inside us there is something that has no name, that something is what we are," one inmate claims with horror. Saramago's use of dialogue mirrors this loss of individuality. The words of the blind meld together without paragraphs, quotation marks or periods. Separated only by commas, the statements of the blind...

Author: By Erin E. Billings, CONTRIBUTING WRITER | Title: Among the Blind, Chaos is King | 11/13/1998 | See Source »

Alanis' most recognized strength, of course, isher ability to write lyrics that might as wellstand alone as poetry. The songs generally avoidrhyme, making for a more fluid, unpredictablesound. Amidst the pulsing techno of "So Pure," weare treated to surprisingly profound lyrics: "Youfrom New York, you are so relevant/You reduce meto cosmic tears." Dance music that doesn't rhyme?Techno that actually means something...

Author: By Soman S. Chainani, | Title: You Oughta Know the softer side of ALANIS | 11/6/1998 | See Source »

...world's problems are so vast and so profound that the efforts of all human beings are required to solve them. And if you're not working for the solution, then you're working for the problem. Are you ready to solve...

Author: By Jonathan T. Jacoby, | Title: Anti-Social Behavior | 11/4/1998 | See Source »

Nasty divorces are increasingly commonplace, and there is no doubt that their affect on children is profound. So why do some of those children go on to carve themselves up while others do not? Strong hardly mentions cases like these. She does link self-mutilation to eating disorders, however, which clearly occur among people with loving and intact families...

Author: By Meredith B. Osborn, CONTRIBUTING WRITER | Title: Cutting the Pain Away | 10/30/1998 | See Source »

...scene midway through Apt Pupil, Kurt Dussander (Ian McKellen) tosses a stray cat into an oven. The cat, of course, escapes, to wild cheers from the audience. This scene, while not profound or even endurable, epitomizes Apt Pupil. As in almost any drama, the villain is far more interesting than the "hero," who is likely asleep while our villain is drinking Old Crow, listening to opera and amusing himself by throwing cats into ovens or something. Of course, as in any Hollywood film, the one inviolable taboo is that no matter how many humans are gruesomly murdered, an adorable...

Author: By John T. Meier, CONTRIBUTING WRITER | Title: Nazis Lurk in Stephen King's Suburbs | 10/30/1998 | See Source »

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