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Word: profundo (lookup in dictionary) (lookup stats)
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...real shock of Sellars' production is how well it works both theatrically and thematically. The racial casting, for instance, is a brilliant way of defusing the play's anti-Semitism -- turning it into a metaphor for prejudice and materialism in all its forms. Paul Butler plays Shylock with basso-profundo self-assurance; he's a hardhearted ghetto businessman who, even when he is humiliated at the end, never loses his cool or stoops for pity...

Author: /time Magazine | Title: THEATER: Shylock on the Beach | 10/31/1994 | See Source »

...this version of Show Boat does ring with excellent voices nevertheless: Mark Jacoby's charming but feckless Ravenal, Rebecca Luker's steely Magnolia, Gretha Boston's ebullient Queenie and Lonette McKee's glorious Julie. (As Joe, Michel Bell sports an impressive basso profundo, but spoils Ol' Man River with a needlessly mannered performance.) Still, it is a relative nonsinger, John McMartin as Cap'n Andy, who is the surprising hit of the show: his desperate reenactment of the interrupted play-within-a-play, The Parson's Bride, is a comic highlight that stays in the mind...

Author: /time Magazine | Title: THEATER: Just Keeps Rollin' Along | 10/10/1994 | See Source »

...name, with due basso-profundo pomp, this way: Rush (as in rush to hear him while he's hot) Limbaugh...

Author: /time Magazine | Title: Conservative Provocateur Or BIG BLOWHARD? | 10/26/1992 | See Source »

...notably serene and straightforward style, and still his mystique grew so potent that his every move sent global financial markets into spasmodic guessing games about what he was thinking. He towered physically above his colleagues, yet instead of lording over them and issuing orders in his basso profundo voice, he preferred to lean back in his big chair and quietly listen to other people's ideas...

Author: /time Magazine | Title: Last Bow for the Inflation Tamer | 6/15/1987 | See Source »

...with the best performances, but at Carnegie, second-rate symphonies sometimes sounded first rate. There, the resonance bathed performers in a mellow amber glow, and at orchestral climaxes the floor vibrated sympathetically beneath the listeners' feet. What did it matter if the subway occasionally added its profundo rumble to the bass, or if passing fire sirens sounded a wailing obbligato to the treble? Musicians and audiences loved it just...

Author: /time Magazine | Title: Music: Sounds in The Night | 2/16/1987 | See Source »

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