Word: profundo
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...television director could ask for a more inspirational opening. When the blue-robed, silver-haired Rev. Robert Schuller appears, there is no doubt about it: the star has arrived. Schuller stares directly at the camera, slices the air with crisp gestures and modulates his powerful voice from a basso profundo to an ingratiating whisper. His arena, the $18 million Crystal Cathedral (two freeway exits south of Disneyland), is, with its mirrored skin and soaring see-through interior, an extension of Schuller's flamboyant style and eternally sunny message...
...Then there is the matter of the Emir's pet rhinoceros, languishing in the hold and giving off a most unpleasant stench. Seasick, any reasonable person might suppose; lovesick, the opera crowd prefers to believe, bringing the beast into their own frame of reference. Would that the basso profundo could hypnotize the creature with his low tones as easily as he does the chicken from the galley, on which he demonstrates his powers...
...Wilderness focuses on an odd couple: the elusive Angleton and the swaggering William Harvey, an improbable pair of diverse talents and temperaments who together stood guard over America's secrets for much of the postwar era. Observes Martin: "Where Harvey had raged against the Soviet threat with basso profundo and six-shooter, Angleton seduced with a hypnotic blend of brilliance and mystique. Angleton was the Italian stiletto to Harvey's German Luger...
...Umber vocal cords, Williams simply runs through a cast of character sketches unseen since the early days of Jonathan Winters. "Earthquake!" he will yell, jumping up and down, before he rushes out to the audience to heckle himself. Within seconds, he is back onstage, giving a beautiful basso profundo rendition of Shakespeare, followed by rapid-fire impressions of a go-go boy, Long John Silver and characters from a Japanese science-fiction movie. "It's madness all around," he explains. "But the center is very calm, like the center of a hurricane...
...probably the cast as well-will wish them over soon. Flynn and Smith are especially poor actors; apparently unaware of the meaning of their speeches, they flap their hands, grin fixedly, and fail to enunciate. Ives is saved only by the humor in his lines and his basso profundo. The set--which seems designed to test the cast's mountaineering ability--does not lessen the stiffness of the dramatics, the accompanists are pedestrian. But Ellen Wasserman's lighting, which unobtrusively creates the familiar context of the songs through connotations of color and brightness, makes the production move more smoothly...