Word: program
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Dates: during 1990-1999
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...Symphony Orchestra performed at the Roxbury Community College to celebrate conductor Seiji Ozawa's 25th Anniversary. Roberta Flack hosted the event, with Joseph Lin '00 joining them as a featured soloist for the first movement of Tchaikovsky's Violin Concerto in D, Opus 35. The grand affair, whose ambitious program featured famed excerpts from the likes of Strauss, Beethoven and Gershwin, kicked off a new BSO initiative called "Symphony in the City" the aim of which is to offer free music to the city neighborhoods of Boston...
...program then moved towards jazz with Gershwin's Rhapsody in Blue, performed by special guest pianist Marcus Roberts with Wynton's brother Jason Marsalis on drums. The arrangement allowed for Roberts to improvise and push the jazz flavor of the piece, while at the same time challenging the performers to smoothly transition from these solos into the more classical feel of the orchestral sections. Also in the second half of the performance the BSO invited some talented young musicians to perform with them: a children's choir joined the orchestra for Orff's "Carmina Burana" and several talented high school...
...Pines of Rome" was brilliant and provided a dramatic ending to an explosive program. While less well-known than the opener, "The Pines of Rome" is an equally moving experience which was perhaps even more effective in reaching out to the community in a unique way. Exposure to Beethoven and even Orff can come from The Looney Tunes, but Respighi is an experience rarely appreciated by non-classical music listeners, despite the emotional power of his work. Pieces like this, or Lin's Tchaikovsky, or even the improvised new arrangement of Gershwin are what makes a live performance unique...
Many analysts enter i-banking firms right after college and only stay for only two or three years. Hsieh cites the fact that he is going through the two-year training program with 15 others--only one of whom plans to continue with the firm after the program ends...
...Henry Clarke) in a skillful but rather conspicuous, representation of the central villain as a piecewise amalgamation of three distinct personalities. Although one should be suspicious of any theatrical performance that is compelled to provide a verbose description and justification of the director's interpretation in the program, Packer relies more on the performance than the program to present her concept of the three Richards convincingly...