Word: programming
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Dates: during 2000-2009
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...taking a much-needed hiatus from the feverish pace of campus life. Among those who are choosing to remain in Cambridge, however, are 20 undergraduates who will be taking part in a unique opportunity: the American Repertory Theater (A.R.T.) Institute’s January Undergraduate Theater Training Intensive. This program, taking place between January 5 and January 24, will take advantage of the intersession period to immerse students in graduate-level theater training...
...Intensive emerged as a collaboration between the Office for the Arts (OFA), the Harvard-Radcliffe Dramatic Club (HRDC) and the A.R.T. Institute, the graduate-level educational program offered by the A.R.T. The Intensive will offer a wide range of classes, workshops, and discussions intended to introduce students to the kind of training provided by graduate school programs. Alongside the class component of the program, some of the undergraduates participating in the January Intensive will also be involved in the A.R.T. Institute’s production of Tennessee Williams’ “Stairs to the Roof...
...program is absolutely unique,” says Matthew C. Stone ’11, assistant director of “Stairs to the Roof.” “These are all teachers that you would find at the A.R.T. Institute and even more people that they are bringing in from outside. It’s the highest level of acting training that you could possibly find at Harvard...
Teachers involved in the program include Scott Zigler, the director of the A.R.T. Institute, Diane Paulus, the A.R.T.’s artistic director, Jim True-Frost of “The Wire,” and Anatoly Smeliansky, the Dean of the Moscow Art Theatre School, among others. The classes explore various elements of the acting experience, including voice and speech training, character work, Shakespearean scenes, theater history, and even a class on yoga for actors. A seminar involving the business side of acting is also included, touching on topics such as agents and casting directors, the differences between...
...thought what we were missing [at Harvard] was preparing for life as an actor and figuring out how you go about the business of acting and graduate school,” says Beth G. Shields ’10, president of the HRDC. “This program is a taste of what you would get in graduate school, so you know if it’s right...