Word: projectable
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...start with the basic health of the institution: Americans still love matrimony. We spend more than $50 billion a year on weddings. As the National Marriage Project at Rutgers in New Jersey has pointed out, "More than 90% of women have married eventually in every generation for which records exist, going back to the mid-1800s." Even the most extreme predictions for the current generation of women say that at least 4 in 5 will marry. What about all those women not living with a spouse? The Times got to 51% only by including 2.4 million American females over...
...horse sausage. Not only are they supposed to be great, but it would have allowed me to say horse salami and horse sausage throughout this article. But she did pick up half a pound of salted, cured meat. On the FedEx form, she called the shipment a "leather art project," which seemed about right. Still, Homeland Security must have been wary of our ploy, since the package arrived with a big green sticker reading EXAMINED BY U.S. CUSTOMS AND BORDER PROTECTION but was otherwise untouched. American shores, you should know, are not safe from rogue cold cuts...
...this latest entrepreneurial advance. “I came up with the idea behind ‘Brring!’ at a brainstorming session with the rest of the team in April 2006,” Tanjeloff said. “Ultimately, we wound up scrapping our old project, and since that day, we’ve been working on this.” “I’ve learned a ton from the breadth of knowledge and experience on our team,” he added. “Watching it grow from an idea...
...opening of E-flux Video Rental at the Carpenter Center may not provide much competition for Blockbuster, but it does afford unprecedented access to an enormous library of hard-to-obtain video art. Having traveled to Amsterdam, Seoul, and Miami, among other cities, the E-flux Video Rental (EVR) project is now making its final stop at Harvard. EVR is an installation of video art compiled and selected by respected curators from the world over. According to the Visual and Environmental Studies (VES) website, the program is “an intervention in the circulation and distribution of artists?...
...Good, The Bad & The Queen” is an album about being tired of it all, the Gorillaz equivalent of Bruce Springsteen’s “Nebraska.” The record is more than a side project but less than a new start for Gorillaz (and Blur) leadman Damon Albarn, who sounds unhappier than he did on Blur’s “13.” His guitarist, Simon Tong (formerly of the Verve), sounds almost exactly like Graham Coxon. But the strange synths and fuzz coloring the album, courtesy of producer Danger Mouse...