Word: projected
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Dates: during 2010-2019
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...world of iPads, iPhones, and Facebook,” Davies says, “face to face interaction and live performance are falling to the wayside.” Everything’s available on YouTube, but in “The Untitled Project,” the aim is to counteract this prevailing cultural current with an intimate moment that the performers and audience share...
...generally obsessed with uncertainty,” says Director Calla C. Videt ’09. “I work in a sort of haze of uncertainty.” Within the context of “The Untitled Project,” such uncertainty is almost logistical—the form of the event depends on the impact of revelation and surprise. The audience, she believes, should arrive knowing very little about the project, but instead should be drawn by curiosity; and the show, she says, is only effective when you don’t know what...
...theatrical experience where you know what you’re getting,” says producer Kevin J. Davies ’10, “the plot is not as important as the spectacle.” “The Untitled Project,” on the other hand, is driven almost entirely by the text—because its aim is not to merely tell a story but also to create a relationship...
...observing. “For a moment everything is on the same plane,” Davies says. And this blending of roles, leading the audience to question the nature of theater, and what it can become, is vital to the goals of “The Untitled Project.” “The only way to continue to be relevant is to use the medium in new ways,” Davies says. “In 100 years theater will be completely different...
...main passion in life is for Stephen Sondheim,” says the actress who, since enrolling at Harvard, has performed in four Sondheim productions. “I’m making the focus of my final concentration project Stephen Sondheim and the process of putting up one of this shows.” This project is certainly applicable to her extracurricular work; she is currently performing the role of the Baker’s Wife in the production of Sondheim’s “Into The Woods” on the Loeb Mainstage...