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...Quincy House Film Society showing of Snow White and the Seven Dwarfs is halted by angry members of the Harvard-Radcliffe Troll Association. Chanting "Walt Disney, stop your lies: we're gonna cut you down to size," the protesters topple the projector. In an open letter to the Harvard community, six Nieman fellows denounce the trolls for "seriously undermining the liberties we all hold dear." "This is how things started in Germany," the letter concludes...

Author: NO WRITER ATTRIBUTED | Title: 1975: Martin Bormann You Can't Hide! | 1/6/1975 | See Source »

...students, members of the Organization for the Solidarity of Third World Students (OSTWS) sat on tables next to the projector in the Adams House dining hall and said they would not allow the film to be shown...

Author: By Hollis Gorman, | Title: 'Birth of a Nation' Presented With Speaker, Without Protests | 11/16/1974 | See Source »

...Jokes. Standing ramrod-straight in a business suit, Gothard lectures with few gestures, fewer jokes, no vocal theatrics and as props, only an easel for sketching and an overhead projector that flashes charts and lists of "Basic Steps" or "Root Problems" on a screen. Yet his hearers sit in rapt attention, jotting in thick red notebooks. Half of the listeners are in their teens or 20s, half are older couples, mostly white Protestant and middle class, eager for packaged help on the woes that afflict modern American families. Thousands are so enthusiastic that they take the course a second time...

Author: /time Magazine | Title: Religion: Obey Thy Husband | 5/20/1974 | See Source »

...collection of all this material, a dull six-week job enlivened only by the occasional breakdown of the projector or a lunchtime basketball game, is a prelude for Simla's key off-season job: rewriting the offensive and defensive scripts. "To get the clutter out of our playbook," explains Shula, "we have to scrap plays that don't work. If we didn't do that, our quarterback might go into a huddle in a crucial situation, unknowingly pick a flawed play out of the playbook he has memorized, and we could lose." Counting variations on basic tactics...

Author: /time Magazine | Title: Sport: Dolphins in Drydock | 3/25/1974 | See Source »

Sounds like someone's got an eye for the main chance. If the Harvard population were the American public, then W. Donald Brown '74 of Eliot House would be Sam Goldwyn. Brown wrote, directed, shot, edited, appeared in, even ran the projector for Counterpoint at a showing the other night. But mostly he produced it. Brown got an original loan of $400 from the Eliot House entertainment fund. Then he sold shares in the film to 42 students--sending a prospectus to friends in Cambridge, in Eliot House, in the Hasty Pudding Club--to pay his creditors back. Brown even...

Author: By Richard Shepro and Richard Turner, S | Title: Hollywood at Harvard | 2/14/1974 | See Source »

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