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...first project that Hagebölling presented was “Percussive Planet,” a collaboration with musician Martin Grubingers in Bonn that combined live digital animation with the pieces of 35 classical and contemporary composers. Grubinger’s musicians played together on stage against a backdrop of flashing animation created by VJ software, the same kind used in today’s nightclubs and bars. Enormous multi-colored shapes and lines streamed across the screen, all created in real-time by Hagebölling’s students as a visual response to Grubingers?...

Author: By Alyssa A. Botelho, CONTRIBUTING WRITER | Title: Hagebölling Explores New Intermedia | 4/6/2010 | See Source »

...focus. Instead, it is Karl, whom—despite his utter lack of stand-up, writing, or acting experience—Gervais has called “the funniest man alive in Britain today.” Over the last decade, Pilkington has become Gervais’s pet project, if not his pet. He is a fool, and also a genius...

Author: By Molly O. Fitzpatrick, CRIMSON STAFF WRITER | Title: 'Ricky Gervais' Brings the Funny | 4/6/2010 | See Source »

...Roll Over Beethoven” also featured Kualshen Auson’s whimsical installation, “Scratching Beethoven.” Auson’s project harnessed the movement of ant colonies through a network of glass boxes to mechanically rotate a turntable playing Beethoven’s opera “Fidelio.” “The dissonant sound horrified Beethoven-lovers,” Hagebölling laughed, “but it amused the children...

Author: By Alyssa A. Botelho, CONTRIBUTING WRITER | Title: Hagebölling Explores New Intermedia | 4/6/2010 | See Source »

...Harvard Business School Professor Rakesh Khurana and Tobin Project Acting Executive Director Stephanie R. Khurana chat on the patio alongside the Cabot dining hall, their three children play catch in the Quad...

Author: By Danielle J. Kolin and Naveen N. Srivatsa, CRIMSON STAFF WRITERS | Title: New Cabot Masters Strive to Motivate | 4/6/2010 | See Source »

...beach is just the image Lehyt intended to invoke. His “calendar” is meant to project daydreams of freedom on workdays. “I thought of it as being away from the office, factory—escape,” he said. So while workers’ visions are splashed onto the paper, it is not the workers themselves who are the subject of the piece...

Author: By Elyssa A. L. Spitzer, CRIMSON STAFF WRITER | Title: Proletariart | 4/6/2010 | See Source »

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