Word: prokofiev
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Dates: during 1940-1949
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...Prokofiev: Concerto No. 3 (William Kapell, pianist, with the Dallas Symphony Orchestra, Antal Dorati conducting; Victor, 6 sides, 45 r.p.m.). One of Prokofiev's earlier and better works; powerful and percussive, it is just right for hammer-handed young (27) Pianist Kapell. Recording: excellent...
Last week Manhattan audiences were listening to a new symphony that Russians had heard once, were not hearing any more. Leopold Stokowski. and the New York Philharmonic-Symphony performed the U.S. premiere of Sergei Prokofiev's Sixth Symphony. The first movement was dark but thematically appealing, the slow movement harmonically and rhythmically as dull as dishwater. The fast finale oompah-oompahed along in Russian style until about 30 bars from the end. Only then, for about a dozen bars, did listeners hear the powerfully dissonant Prokofiev they had known in the Scythian Suite and the first violin concerto. After...
...Prokofiev: Cinderella (the Royal Opera House Orchestra, Covent Garden, Warwick Braithwaite conducting; Columbia, 6 sides). The score for the ballet now being performed in Russia and by England's Sadler's Wells (TIME, Nov. 14), and what Russian Expatriate Igor Stravinsky calls "Soviet music-bah!" Completely undistinguished, it sounds more often like so-so Soviet Composer Khachaturian than great Composer Prokofiev. Performance and recording: good...
...such as "I like Stravinsky . . . You take nice jumps and land on your toes." As fast as Grenell could press them, kids all over the U.S. began devouring such nutritional morsels as Haydn's Toy Symphony, Mozart's Country Dances, Liadov's Russian Folk Songs and Prokofiev's A Summer...
...first won him fame & fortune ten years ago (eight brasses, five saxophones and a rhythm section), playing old Shaw specials like Begin the Beguine, Frenesi and Dancing in the Dark, might lure his strayed followers back into the tent. Once they were in, perhaps he could give them Prokofiev, Ravel, Berezowsky et al. in small doses...