Word: prokofiev
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...Prokofiev's Classical Symphony in D Major and the Scherzo and March from his opera The Love for Three Oranges (Victor, 2 records, $2 each)-Prokofiev's fast-stepping rhythms played with exhilarating, almost whirlwind effect by Conductor Serge Koussevitzky and the Boston Symphony...
Applause such as is rarely heard burst out in Manhattan's Carnegie Hall last week. The occasion was a Boston Symphony concert. The heroes: Russian Conductor Sergei Koussevitzky and Russian Composer Sergei Prokofiev who appeared also as pianist. No stranger in U. S. music halls is Composer Prokofiev. He used to be railed at as the enfant terrible among moderns, a name belied by his pleasant. Pucklike presence. But since others have outdone him in the making of queer, dissonant patterns, the public has found him less disturbing, more to be accepted. Prokofiev too has changed in the past...
Serge Koussevitzky, brilliant, provocative conductor of the Boston Symphony Orchestra startled conservative ears last week when he gave the mad, barbaric incantation of Prokofiev's "Sept, Us sont sept"* its first and its second performance in Manhattan. For, having played the feverish chant in which the shattering tenor voice of the priest screams in frenzy to the seven horrible demons of Akkadian legend against a background of a surging, fanatical chorus as the third number on his program, he repeated it as the fifth for the better understanding of the audience...
...Prague celebration was a riot of modernistic delicacies. Arnold Schpnberg, Florent Schmitt, Sergei Prokofiev, Ernest Bloch, Arthur Honegger were all well represented by new works, guaranteed to irritate unaccustomed ears. A new composer of unquestioned merit was also brought to light oh this occasion. He is Alexander von Zemlinsky, an Austro-Czecho-Slovakian. His Third, or "Lyric", Symphony was performed; its seven long movements are all built around a single leading motif: the theme of "a man bent on conquest and adventure, to whom love is but an episode in a life of combat and struggle." Zemlinsky used a baritone...