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Word: prokofievs (lookup in dictionary) (lookup stats)
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...special category belongs to Walt Disney, whose film cartoons are the source of record material for almost every company in the field. In addition, there are a few classics that turn up repeatedly, e.g., Prokofiev's Peter and the Wolf and George Kleinsinger's Tubby the Tuba...

Author: /time Magazine | Title: Music: Kidisks, 1956 | 12/24/1956 | See Source »

...Prokofiev: PianoConcerto No.3; Violin Concerto No. I (Emil Gilels, piano; David Oistrakh, violin; U.S.S.R. State Radio Orchestra conducted by Kiril Kondrashin; Westminster). The modern master of melodic and harmonic surprises at his popular best, played by instrumental masters who know just how every phrase should be turned. The results of Soviet recording techniques are a bit shrill, but clear...

Author: /time Magazine | Title: Music: New Records, Dec. 17, 1956 | 12/17/1956 | See Source »

...Symphony; Mozart's "Paris" Symphony, Schumann's 4th Symphony, and part of a Beethoven Quartet played by the strings. Today at 8:30 p.m. Michael Rabin, violinist, will make his Boston debut tomorrow at 3:30 p.m., in Symphony Hall. His program includes Bruch's Scottish Fantasy, Prokofiev's Sonata, and Briten's Waltz...

Author: NO WRITER ATTRIBUTED | Title: WEEKEND EVENTS | 10/27/1956 | See Source »

...Prokofiev: Love for Three Oranges (members of the Slovenian National Opera conducted by Bogo Leskovich; Epic, 2 LPs). The fairy-tale opera whose failure when first produced by the Chicago Opera Association in 1921-22 caused Prokofiev to leave the U.S. in dismay and disgust. (Twenty-seven years later it was a big success at the New York City Opera.) This recording is in Russian, but the performance is high-spirited and technically brilliant...

Author: /time Magazine | Title: Music: New Records, Oct. 22, 1956 | 10/22/1956 | See Source »

...evening's ballet was Romeo and Juliet, danced in settings of overwhelming -if old-fashioned-grandeur and verisimilitude. The dancing, to the Prokofiev score and with few differences from the ballet film now showing in the U.S.. was heavily larded with emotion-laden pantomime. But fragile Ballerina Galina Ulanova danced lightly as a wind-wafted feather in spite of her 46 years. Most critics were ecstatic. The Times critic described her as "now like a flame on the ground, now like a flame leaping in the air." Wrote the News Chronicle: "Her arms and hands raised in flight...

Author: /time Magazine | Title: Music: Bolshoi Ballet Abroad | 10/15/1956 | See Source »

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