Word: proletarianism
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Dates: during 1940-1949
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...from a sociological and economic standpoint is the fact that . . . smaller lotteries . . . are patronized largely by the proletariat, whereas the patrons of the [bigger] . . . lottery loans are drawn chiefly from the middle class." Unless the Encyclopedia erred, which was indeed conceivable. Soviet Russia last week definitely moved from the proletarian to the bourgeois way of life...
...most sensational (and newest) charge: Stalin probably hastened the dying Lenin's death by administering poison. More routine charges: Stalin is a traitor to the revolution and to Communism because 1) he seized control of the Bolshevik Party machine and substituted ward politics for the inspired dynamics of proletarian revolution; 2) he turned the dictatorship of the proletariat into a totalitarian state; 3) he declared himself Lenin's heir and best disciple though Lenin, before his death, had broken with Stalin and repudiated him; 4) he issued history a false passport by revising the entire record...
Russia's women still found the shops bare, but they could dream. Last week the first issue of Soviet Woman, a kind of proletarian Vogue, went to 20,000 subscribers who paid ten rubles ($2) a copy. It featured a picture spread of evening dresses, furs, fancy shoes, sport clothes. Dress directions were printed in large type, so that the ladies would be able to make their...
Little Father Lenin was having a tough time of it. In 1942, the Finsbury Borough Council had erected a statue to Russia's First Proletarian in front of the Holford Square house in which he had once lived. Since then, the dead-white bust on its red marble base has had nary a moment's peace. Time & again it has been defaced-once with black paint of such tenacity that the slyly benign features remained permanently piebald...
...quiet but ambitious attempt to anatomize, through the narrator's contrasted affairs with two women, the U.S. middle class and the U.S. proletariat. The bourgeois wife, Imogen, is a convincing redigestion, in contemporary terms, of the kind of paralytic romanticism which Flaubert raged at (and suffered from). The proletarian taxi-dancer, Anna, is more vivid and engaging, and the glimpses into her world-a world of incidents like the Polish boarder's "doing his business and wrapping it up in paper" for Anna to pick up-are the most detached that any writer, left or right...