Word: proletarianized
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Dates: during 1950-1959
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Shahn was raised in a Brooklyn slum, where the local toughs forced him to portray favorite athletes on the pavement with chalk. Little Ben learned to draw very well indeed. He also developed a temper. It was the perfect schooling for a "proletarian-school" painter. Shahn grew up to startle the art world with a series of watercolors, almost as beautiful as they were bitter, based on the Sacco-Vanzetti case. He became perhaps the best, and most depressing, painter of the Great Depression. Shahn's "havenots" were lean as greyhounds and sad-eyed as spaniels; his "haves" always...
...protest is still there. But it is stated in poetic rather than in "proletarian" terms. Shahn still draws for two hours every morning ("like doing finger exercises"), and the liveliness of his draftsmanship keeps even the vaguest of his new works from seeming too diffuse...
Tamayo, a Zapotec Indian, likes to repeat: "My feeling is Mexican, my color is Mexican, my shapes are Mexican." Then he adds, "But my thinking is a mixture." His thoughts about art are cosmopolitan and drawn more from the school of Paris than from the militantly proletarian school of his countrymen Rivera and Siqueiros. At 54 Tamayo has come a long way from the Mexico City fruit markets where he grew up, has become one of the Western Hemisphere's most sought-after painters. Contrasted with Chardin's chill but solid mastery, Tamayo's Fruit Vendors looks...
...intensely interesting to see. The voices of the animals, all spoken by Maurice Denham, are wonderfully satisfying. And Matyas Seiber's rousing anthem, Beasts of England-in which Imitator Denham sings a dozen voices at once, a roaring chorus of many sound tracks blended into one-is a proletarian hymn ("Something," as Orwell imagined, "between Clementine and La Cucuracha") that can make the most conservative heart go pitapat...
...devoted a separate article to the little fellow. He was the Nizam of Hyderabad's favorite movie star. Jan Christian Smuts, Avila Camacho, Mackenzie King declared in his favor. Franklin D. Roosevelt never missed a Mickey cartoon. Mussolini adored him; Hitler hated him. The Russians called him a proletarian symbol; however, the line changed in time, and Mickey is now a "warmonger...