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Psychology: An Oedipus, Prometheus, Cain, expulsion, Joseph, Jacob, Jesus, or inferiority complex; a frustrated libido or an identity crisis...

Author: By Faye Levine, | Title: Harvard Malaise Explained | 2/12/1965 | See Source »

Boxes & Coffee Grinders. One of Duchamp's newfound admirers, Pop Painter Jasper Johns, likes to remind scoffers of the cartoon caption, "O.K. So he invented fire-but what did he do after that?" In terms of sheer production, Duchamp is but a pint-sized Prometheus. His lifelong catalogue lists only 208 works. He once miniaturized all of his work that he thought worthwhile, and packaged this portable museum in dispatch cases (200 of them were sold). But as his current exhibition at Manhattan's Cordier & Ekstrom gallery* gives ample proof, his work struck the sparks that set others...

Author: /time Magazine | Title: Artists: Pop's Dado | 2/5/1965 | See Source »

...professors are Prometheus, shedding light from the lecture podium, confident, knowledgable, urbane. Other models are remote. Some, particularly businessmen, are scorned. Academic values are prized to the exclusion of all other values. Honors students receive the attentions of their tutors; non-honors men are pariahs...

Author: By Lawrence W. Feinberg, | Title: The College: An Academic Trade School? | 9/25/1964 | See Source »

Quoting at length from Archibald MacLeish, Pusey said that contemporary civilization fancies itself "the first to look at man as he is and to dare to see him." But these claims to primal realism are false. The Greek view of man was equally "realistic," seeing "the defeated hero, Prometheus on the bloody stone...

Author: NO WRITER ATTRIBUTED | Title: Pusey Decries American Vulgarity, Urges Intellectuals to Lead Reform | 6/8/1964 | See Source »

Flanked by panels painted with false perspectives, other bits of bronze, chunks of pavement, ax-hewn and charred wood catch the eye. Some parts of the sculpture peep from behind doors; others curlicue underneath canopies. One piece, or "galaxy" as Kiesler calls them, is titled The Cup of Prometheus, and appropriately contains a burning smudge pot. To encourage people to contemplate the work, Kiesler cast two 85-lb. aluminum stools that are exactly placed in reference to larger parts. The problem is that Kiesler has had to borrow his most precious commodity-space-from a polygonal room in Wright...

Author: /time Magazine | Title: Art: Endless Sculpture | 5/15/1964 | See Source »

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