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Word: pronoun (lookup in dictionary) (lookup stats)
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Usage:

...actions cannot shape their lives. Consequently, they withdraw into a living-death fantasy existence characterized by fear and stony silence-or, at best, by unintelligible animal noises. Unwilling to admit their own existence because they fear that the outside world will destroy them, many autistics refuse to use the pronoun "I" if and when they do speak...

Author: /time Magazine | Title: Psychiatry: Chicago's Dr. Yes | 7/5/1968 | See Source »

...kind. The language barrier, he notes, is so great that neither English nor Vietnamese can be successfully translated one into the other. He points out that since Vietnamese verbs do not change tense, the Vietnamese sense of time is indefinite. More important, perhaps, is the absence of the personal pronoun "I." Because Vietnamese speak of themselves in the third person, "a man's identity, his sense of himself, is always in relation to something, or someone else-usually something, or someone, having to do with the village, which is one reason the village is so important in Vietnamese life...

Author: /time Magazine | Title: Books: Exercise of Power | 4/12/1968 | See Source »

...sang these songs that paid particular attention to a certain first person singular pronoun, nominative case...

Author: By Robert P. Marshall jr., | Title: Harvard Braces for New Rock 'N Roll Quiz | 1/22/1968 | See Source »

Mehta's qualities at this point are more than enough to put him in the forefront of today's young conductors, but he is not alone. "Look at our generation!" he says, affecting, as he often does, the royal first-person-plural pronoun. "We've got competition...

Author: /time Magazine | Title: Conductors: Gypsy Boy | 1/19/1968 | See Source »

Until 1926, it was just another pronoun. After that, It became the most provocative two-letter word in the language-all because of her. She was Clara Bow, the ultimate flapper for the movie audiences of the '20s, grown too sophisticated for the synthetic, exotic Theda Bara ("Kiss me, my fool") and Pola Negri. Clara Bow, by contrast, was as fresh and authentic as the girl next door, only more so. She had enormous saucer eyes, dimpled knees, bee-stung lips and a natural boop-poop-a-doop style. She was the cat's pajamas, the gnat...

Author: /time Magazine | Title: Hollywood: The Girl Who Had IT | 10/8/1965 | See Source »

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