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Word: properity (lookup in dictionary) (lookup stats)
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...They do not. They are citizens like everyone else. They have every right to speak their minds, but they have no special status in defining the boundaries of proper discourse...

Author: /time Magazine | Title: Why 9/11 Belongs in the Campaign | 3/7/2004 | See Source »

...what this President did: Was it worth it?" No one thinks of accusing them of indecently exploiting these tragic deaths for political reasons. Yet when the President talks about his own leadership through and after 9/11, he is accused of exploitation. It is understandable that Democrats would want the proper bounds of political decorum to be defined by talk of job losses and of difficulties in Iraq. But since when do partisans design the playing field...

Author: /time Magazine | Title: Why 9/11 Belongs in the Campaign | 3/7/2004 | See Source »

...Common, Blackalicious and so on—is that the idea of realness itself is all they ultimately represent. Common’s Like Water For Chocolate was meant to be a paragon of “soul,” but its Soulquarian tracks were so calculatedly proper that Common’s substance got buried in their style. “The Light” is moving enough, but there’s also a smugly clinical gloss all over its drums and guitar swirls that strikes me as vaguely horrifying...

Author: NO WRITER ATTRIBUTED | Title: Diamonds in the Rough | 3/5/2004 | See Source »

...idioms that have now been fully disseminated into secular vocabulary. Pasolini often floods the screen with the prophet’s unassuming, uni-browed visage, his immobile facial features accentuating the authority of his compassionate words. His crucifixion and subsequent resurrection are terse and understated, barely even serving their proper roles as climax and denouement to the film. In this Gospel, Christ is less a man than a visual summation of his words...

Author: NO WRITER ATTRIBUTED | Title: FILM REVIEW | 3/5/2004 | See Source »

...idioms that have now been fully disseminated into secular vocabulary. Pasolini often floods the screen with the prophet’s unassuming, uni-browed visage, his immobile facial features accentuating the authority of his compassionate words. His crucifixion and subsequent resurrection are terse and understated, barely even serving their proper roles as climax and denouement to the film. In this Gospel, Christ is less a man than a visual summation of his words...

Author: By Ben B. Chung and Scoop A. Wasserstein, CRIMSON STAFF WRITERSS | Title: Film Review of The Passion of Christ | 3/5/2004 | See Source »

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