Search Details

Word: properous (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
Sort By: most recent first (reverse)


Usage:

...choral sound. Above all, Rameau's Le Berger Fidele requires style to sustain the text's nonsense. Fortunately the soloist was Jean Lunn, whose lovely voice is not yet tired from a heavy concert schedule. Her phrasing, diction, and impeccable vocal ornamentation placed the cantata's fluffiness in a proper musical perspective...

Author: By Robert M. Simon, | Title: Bach Society Chorus | 11/23/1954 | See Source »

...party to be stubborn and dogmatic in one's views." Then he adds: "The old New Dealer's sole idea was to 'get it done,' and the devil take the methods. Today, liberals are more concerned with protecting procedural rights and the use of proper constitutional methods...

Author: /time Magazine | Title: MINNESOTA: The Welder | 11/22/1954 | See Source »

Lack of Format. Last year NBC signed him, but spent months trying to work out a proper format for his peculiar, shapeless brand of comedy. It was a tough job, since no one, including Gobel, could pin down his style. "I don't think it's like anybody else's," he says. "I didn't think about it until other people started describing it. They described it in so many ways, I get kind of mixed up. I guess it's offbeat, casual. I get a line I figure will be funny...

Author: /time Magazine | Title: Radio: Pretty Mixed Up | 11/22/1954 | See Source »

...required connection between film subjects and the purposes of undergraduate organizations already is in danger. For the petition which the HLU has submitted to present All the King's Men clearly shows that the tenuous line between a proper and improper film will not prevent a club from remaining in the movie business...

Author: NO WRITER ATTRIBUTED | Title: Movie Mayhem | 11/18/1954 | See Source »

...Matter of Fun. On a more down-to-earth level, Matisse was a pleasant, plump and proper bundle of paradoxes. He was finicky in his dress as he was daring in art; a pleasure-lover in his leisure time and a puritan in the studio. His pink face was bearded and benevolent; his slate blue eyes coolly attentive. He would discuss art lucidly and at length with all comers, punctuating his remarks by precise gestures of his small, square hands. Matisse knew his field as well, perhaps, as one man can. He tilled it conscientiously, and enlarged it courageously...

Author: /time Magazine | Title: Art: Rainbow's End | 11/15/1954 | See Source »

Previous | 162 | 163 | 164 | 165 | 166 | 167 | 168 | 169 | 170 | 171 | 172 | 173 | 174 | 175 | 176 | 177 | 178 | 179 | 180 | 181 | 182 | Next