Word: propheteering
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Dates: during 1930-1939
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...intervening 726 pages are only indirectly Reeves's story. In that instant there leaps into his mind the tormented figure of Jeremiah, the prophet of doom, who in the reign of King Josiah had leaned against a pillar in the Temple and stared at a leather amulet on his wrist as Reeves had stared at his wrist watch. The rest of the story is really Jeremiah's. It follows him back to his lonely childhood outside Jerusalem, through his exile, apostasy, agony, to his final peace. His wife, like Reeves's wife, had died in Egypt. Because...
Although the swimming situation at Harvard looks more favorable today than it ever has, foolish indeed would be the prophet who would predict a clean state of victories for the Crimson squad without looking at the records of opponents to come...
...Diary of a Philosopher, fees reaching as high as $1,000 a lecture, and praise such as Glenn Frank's: "Keyserling may turn out to be a John the Baptist of a new Western civilization." On that trip hostesses received printed instructions on how to entertain the worldly prophet: 1) rooms should be cool; 2) a supper should be served after each lecture; 3) champagne should be provided; 4) oysters should be served, but no vegetables except mashed potatoes; 5) pretty young women should be present. Due to arrive in Manhattan by New Year's Day, for another...
Harlem on the Prairie (Associated Features) is billed as "the first all-Negro musical Western." It brings to life a cow-country as fabulous as the vision of some Holy Roller prophet. In this apocalyptic land everybody-the prospectors and stagecoach drivers, the medicine men, outlaws, sheriff, the hero with the silver-plated stock saddle-is a gentleman of color. No attempt is made to explain how so much pigment got all over the open spaces. It is there, palpably, by a whim of the Almighty, indulged with the liberal connivance of one Jed Buell, an independent Hollywood producer...
Especially fascinating to Cleveland visitors were the works of two famed European experimentalists, Spaniard Pablo Gargallo and Rumanian Constantin Brancusi. Gargallo, who died in 1934, was a blacksmith whose skill with metals helped him to do some of the most intricate abstractions in modern sculpture. His bronze, Prophet (see cut), was a figure constructed half of metal and half of empty space, as a piece of music is built of sound and silence. Brancusi's work was represented by a torso composed of three softly melting cylinders and a bust, Mile Pogany, showing the subject as geometry in meditation...