Word: propped
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Dates: during 2000-2009
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...regime sell oil and use the revenues to buy food and medicine to alleviate the suffering caused by economic sanctions. The U.N. was in charge of overseeing both sides of the trade, but Saddam managed to skim off more than $20 billion from the $64 billion program to prop up his rule. Records found in Iraq allege that government officials and others, notably in France, Russia and China; oil companies, including American giants; and individuals, among them the senior U.N. official appointed to run the program, received preferential deals to buy Iraqi oil at below market price. Many have denied...
...Schwarzenegger resolved California's core problem: the state habitually pays out more than it takes in, and what it takes in is restricted by Proposition 13, a 1978 ballot measure that tightly limits property taxes. Despite hopes that Schwarzenegger would take on Prop. 13, senior aide Murphy says the Governor "doesn't believe in changing" it. Some $15 billion in bonds tided the state over for this year, but by early January, Schwarzenegger's administration must come up with a budget to plug what nonpartisan state legislative analyst Elizabeth Hill estimates will be a $6.7 billion deficit...
...remember Engagement, Jeunet took a beautifully crafted wooden hand that was used by one of the actors. It is a welcome addition to past keepsakes, which include the pig lamp from Amélie and an alien prop from Alien: Resurrection. He speculates that the alien may be useful in frightening thieves...
...lining their own pockets as on preventing the country from slipping into Communist control. Stationed in Shanghai and then Kaifeng, Rowan develops both a sympathy for the peasants caught between the battling political factions, and a gnawing desire to document the pitfalls of America's misguided efforts to prop up the regime of Nationalist leader Chiang Kai-shek...
...next piece, “Boundaries,” uses a single prop to skillfully illustrate its title subject in a superb mesh of graceful choreography and music (“Silence” by Delerium). The choreography is perhaps the best of the show, technically speaking; it retains the characteristic fluidity of Me in a Box despite its complexity. The dancers’ motions revolve around a gauzy red cloth that serves as a tangible boundary between the figures. Its presence sometimes separates one from the rest, but then brings the group together, stretching the “boundary?...