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...further description. "A lot of people have the impression I'm Mr. Svengali," he remarks. "Actually I'm the softest person in the world." Soft or not, he is very much in charge. "Without him, where would she be?" her father once asked. "He is the prop on which she leans." Says the Twig herself: "None of it would have happened if I hadn't met Justin. He listens to everybody's opinion and then makes up his own mind. Fortunately, I listen only to Justin's advice." If they disagree, she adds...

Author: /time Magazine | Title: Show Business: The English Dream | 2/7/1972 | See Source »

Throughout all this, Flip constantly takes time out to attend to details ordinarily left to stagehands-testing the door chimes on a set or making sure that a champagne-bucket prop is positioned correctly. Because of his painstaking approach, the show is known as something of a sweat for guests. Outside performers on the Carol Burnett or Glen Campbell shows can get away with a three-day commitment; Dean Martin's guests have been known not to see him until the day of the show. But Flip insists on a five-day schedule for his guests as well...

Author: /time Magazine | Title: When You're Hot, You're Hot | 1/31/1972 | See Source »

...living solely on savings and expenses. Each was given serious responsibility right at the start. It fell to Pinkstaff to organize the Jan. 7 Tampa rally round Muskie's bid in the Florida primary. She chose the landing site for the Senator's prop jet and rounded up the proper vehicles for Muskie, local officials, the press and TV camera crews. She masterminded the distribution of 14,000 invitations to the rally, then had fliers printed featuring Muskie's campaign theme, "A New Beginning...

Author: /time Magazine | Title: POLITICS: Glamour on the Hustings | 1/24/1972 | See Source »

Much of the production depends on mime, on suggesting rather than acting out. There are no props: even Caesar's mantle, which Antony addresses in his funeral oration, is made out of empty air. The assassination and battle scenes are elaborately choreographed and acted out tableaux, replete with ritualistic mock blows and falls. Somehow, they work in a way that a literal reading of the script never could. The scene of Caesar's ghost, mocking the actions of the servant as he holds the sword on which Brutus falls is utterly chilling, as no prop-ridden version could...

Author: By Michael Ryan, | Title: Julius Caesar | 1/11/1972 | See Source »

...ultimate prop, however, is Linus's blanket. Under Doug Eichman's affectionate fondling, the woolly soul-mate changes from a cavalier's cape, to a savage's spear, to a dance partner for the number "My Blanket and Me". Despite whatever Lucy might say, he's no "baby brother with a baby blanket," and preposterously picks apart his own psyche and that of others in Papa Bettelheim's best manner...

Author: By Celia B. Betsky, | Title: Charlie Brown | 12/3/1971 | See Source »

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