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...connection that Alterman and Mogolov maintained with the audience, and thus the set design was appropriate in its minimalism. The actors played not only Sara and David, but also other characters and even pretended to use props that were essential to their stories. These “props?? were used well for comedic effect...

Author: By Denise J. Xu, CONTRIBUTING WRITER | Title: ‘Diptych’ Finds Depth in Duality | 10/14/2007 | See Source »

...writing in response to Loren Amor’s “Women’s Hockey Deserves Its Props?? (sports, Feb. 12). I am the current manager of the Harvard University Band and would like to offer an explanation as to why we always attend the Women’s Beanpot and the women’s home games. It is not because we “pretty much [have] to be there” as the article suggests, but because we honestly love being there. The Band receives no money for transportation...

Author: By Kamber Vittori | Title: Harvard Band Willingly Attends Women’s Games | 2/23/2007 | See Source »

...Bauch Bucks,” which can be used to make “propositions” to other partyers. The goal is to collect as many Bauch Bucks as possible. According to the website created to promote the dance, www.winthropdebauchery.com, there will be many ‘props?? available at the party to aid with the propositioning, such as whipped cream, jello shots, and chocolate. The website suggests that students “get creative.” Former Winthrop House Master Paul D. Hanson, who was involved in the decision to ban the dance four years...

Author: By Pedro V. Moura, CRIMSON STAFF WRITER | Title: ‘Bauch’ Bucks in Hand, Winthrop Gets Dirty | 2/10/2006 | See Source »

...then starts helping set designer Courtney E. Thompson, ’09 paint a wooden lattice. After Thompson designs the set for a scene, Tsurumi sketches the various components of the scene onto backboards and the props that the tech crew has built. While there are a few complicated props??such as actual portraits of the actors for the ghost scenes—that Tsurumi has to paint on her own, many of the cast members help with the more basic paint jobs during their three hours tech requirement.Simultaneously, in the pit, a small, close-knit orchestra patiently...

Author: By April B. Wang, CONTRIBUTING WRITER | Title: A Night at the Operetta | 12/2/2005 | See Source »

Since Sidibé and Keïta are both commercial photographers, the use of props assumes a central role in their works. The props??which range from goats to radios, alarm clocks and scooters—are usually used as signs of affluence and prosperity. Such props have precedent, as umbrellas—usually seen as a symbol of European pragmatism—can be seen in some of the 14 early postcards on display. The most poignant of these images is Sidibé’s 1972 “Les jeunes berges Peuhls...

Author: By Christina B. Rosenberger, CRIMSON STAFF WRITER | Title: You Look Beautiful Like That | 9/20/2001 | See Source »

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