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Word: propsed (lookup in dictionary) (lookup stats)
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RHINOCEROS, an Ionesco parable about a man's isolation, will be performed by A Contemporary Theater, Seattle, Wash. (July 22-Aug. 2). Robert Loper will brave it out as Berenger, the man who manages to resist conformity, Arne Zaslove will direct, and film projections will take the place of...

Author: /time Magazine | Title: Television: Jul. 18, 1969 | 7/18/1969 | See Source »

LUCIEN Ballard is also on the credits of The Wild Bunch and with the exception of a few props and backdrops it is about all that the two films have in common.

Author: By Terry CURTIS Fox, | Title: Grit | 7/15/1969 | See Source »

However, at the same time that the ringmaster presents her life's extravagance, beauty, and freedom, to the audience, Lola relives its desperation and compulsion. The camera movements of the first sequence ironically express both. Outwardly they, like the gaudy props, have a vulgar splendor and sweep. Lola, staggering backstage...

Author: By Mike Prokosch, | Title: La Vie Extraordinaire de Lola Montes | 7/8/1969 | See Source »

IN THE FOLLOWING circus sequence the ringmaster recounts her progress through the world. The props represent the capitals of Europe, Lola dancing from one to another; but her broken-down body can only hobble through the successive positions of Madrid, Rome, and Warsaw. The sequence's most sweeping action is...

Author: By Mike Prokosch, | Title: La Vie Extraordinaire de Lola Montes | 7/8/1969 | See Source »

After she dances several days later he meets her backstage; the space is similarly deep and filled with decorative objects (props stored from old shows). A curtain-rope swings across his figure, then on the backswing half-way across her, linking them while it indicates the fixity of his position...

Author: By Mike Prokosch, | Title: La Vie Extraordinaire de Lola Montes | 7/8/1969 | See Source »

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