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The long effort to conquer space has brought Braque in his final years to his recent Studio VIII, which incorporates the whole range of past paintings, studio props and objects. His new central symbol is an anonymous bird. It is, like all Braque's subjects, the visual image of...

Author: /time Magazine | Title: Art: BRAQUE: THE COOL FIRE-SPITTER | 10/29/1956 | See Source »

Anchoring the scrum is captain Terry Turner, now playing his fourth season for the Crimson at eight man. He and locks Tony Markella and Bill Shane, both converted football players, are the heaviest forwards, with flanker Geoff Locke having the height necessary for lineouts. Huff and sophomore Dave Steinberg are...

Author: By Alastair J.C.E. Rellie, | Title: LINING THEM UP | 10/25/1956 | See Source »

With Christoff, the trouble began during the first orchestral rehearsal. The trouble: no Christoff. He was sulking in stubborn silence in his dressing room, apparently because he did not like Leo Kerz's stage design. Twenty minutes later, Director Kurt Herbert Adler had moved some furniture and props-Christoff...

Author: /time Magazine | Title: Music: San Francisco's Coup | 10/8/1956 | See Source »

Satellite in the Sky (Warner) is the sort of thing the British usually do very well done very badly. An attempt to duplicate the agonizing authenticity of such films as Breaking the Sound Barrier, it parades plot and props (including an enormous mocked-up spaceship) that could have been scissored...

Author: /time Magazine | Title: Cinema: The New Pictures, Sep. 17, 1956 | 9/17/1956 | See Source »

"There's going to be hellzapoppin' in the steel industry all the rest of the year." So said Bethlehem Steel's Chairman Eugene G. Grace last week as the steel strike ended (see NATIONAL AFFAIRS) and he took a good look at piled-up demand. Like other...

Author: /time Magazine | Title: STATE OF BUSINESS: Hellzapoppin' | 8/6/1956 | See Source »

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