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When he was a young fellow, Italy's Giorgio de Chirico (pronounced keerico) was a red-hot surrealist and an inspiration to other radicals of the easel like Salvador Dali. Most of his favorite themes-the melancholy shadows of late afternoon, the animated manikins, the colonnades and lonely figures...

Author: /time Magazine | Title: Art: Old-Fashioned | 5/16/1949 | See Source »

Two years ago he made up his mind to "reorient" himself "and start all over again." He quit his designing job, joined a cooperative farm colony in Suffolk, England, and spent a year on the soil. When he got back to Belfast he found he had left his surrealist props...

Author: /time Magazine | Title: Art: Ecstatic Otherness | 3/28/1949 | See Source »

Costuming and props, as far as practicable, will be reproductions of originals. A rarely-performed opera, "Acts and Galatea" was presented by Boris Goldovsky at Tanglewood several years ago in a naturalistic outdoor setting.

Author: By Alexander C. Hoagland, | Title: Lowell Music Group Revives 'Acis and Galatea' | 3/10/1949 | See Source »

Life Without Props. For almost two years Novelist John Phillips Marquand has been burrowing at the roots of Charley Gray's discontent. Next week, in his latest and best novel, Point of No Return, he gives his readers no pat answer. But, as a good novelist should, he gives...

Author: /time Magazine | Title: Books: Spruce Street Boy | 3/7/1949 | See Source »

The Charley Grays burn themselves out in the race to pass the Blakesleys and creep up on the Burtons; then find themselves at the end with no spiritual props to make life bearable. The question Author Marquand's book raises is: "Are the rewards of all your efforts worth...

Author: /time Magazine | Title: Books: Spruce Street Boy | 3/7/1949 | See Source »

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