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Word: propsed (lookup in dictionary) (lookup stats)
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The Madness of George III is beautifully designed by Mark Thompson. The play begins and ends as characters descend and ascend a vast staircase extending the length of the stage. The drops and set pieces that frame the rest of the scenes are simple and allow the elaborate costumes and...

Author: By Lori E. Smith, | Title: The Colonial Captures the Magic Of The Madness of George III | 11/11/1993 | See Source »

Jayme Koszyn's direction is consistently admirable. Unlike the actresses' accents, the script's rapid shifts in time and space never become disorienting. Clever use of props and dramatic changes in lighting create maximum mood changes in minimal time: The pace of the production could not be slicker. Sound effects...

Author: By Tilly Franklin, | Title: At Emerson Stage, A Good Mother | 11/4/1993 | See Source »

Although last-minute studying is hardly unusual, cram sessions for "Jazz" and "Michelangelo" required props beyond the normal texts and sourcebooks.

Author: By Stephanie P. Wexler, | Title: Midterms Cause Stress For Students, Libraries | 11/2/1993 | See Source »

Indeed, the Leverett House production fostered this kind of empathy from the audience. The small space, small cast and warm lighting contributed to the cozy, intimate feel. The timely elements of the play--the period costumes, props, music and lingo--were overshadowed by the universal truths of Heidi's struggle...

Author: By Edith Replogle, | Title: Captivating Chronicles | 10/14/1993 | See Source »

Entirely dressed in black, with no props at all, Bogosian effortlessly transforms himself into vastly different characters (unlike Finley, whose characters are more like multiple variations on a theme). One of Bogosian's best portraits was that of a man from the Robert Bly school of self-discovery: "Hi, I...

Author: By Vineeta Vijayaraghavan, | Title: Serious Issues, Intense Monologues At the A.R.T.'s Season Kickoff | 9/30/1993 | See Source »

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