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Word: prose (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
Sort By: most recent first (reverse)


Usage:

...presumably about the Conservative League, starts: "Some plots have a way of thickening--even thick plots. . . a boy and a skunk, and I can't trust my roommate anymore." Doubtless, the editors who compiled the review had interesting thoughts, but it seems unfortunate that no one put them into prose...

Author: By Milton S. Gwirtzman, | Title: 318 | 6/4/1954 | See Source »

Inevitably, the acted scenes contain some purple-prose trills. The crusty voice of Judith Anderson as Carmen gasps: "I cannot live a lie . . . Free I was born and free I want to die." Joseph Gotten as Canio in Pagliacci moans: "To have to act, act, when my brain whirls in an agony of madness! . . . Change into grins your sobs and suffering, change into a leer your sighs and your tears." Dennis King as Rigoletto shouts: "Unarmed though I be, I'll kill you, I warn you!" But the familiar music (in familiar performances by Rise Stevens, Jussi Bjoerling, Leonard...

Author: /time Magazine | Title: Music: Opera in Prose | 5/31/1954 | See Source »

...development of the total work. Dostoyevsky's Idiot is no exception. An amalgam of theology, philosophy and realism, it is complex and ponderous. Any attempt to bring it to the screen is ambitious, and though the interpretation at the Brattle may not retain all of the profundity of the prose, it represents a moderate artistic success...

Author: By Byron R. Wien, | Title: The Idiot | 5/19/1954 | See Source »

...late Dylan Thomas, one of the best poets of his generation, could also write and speak lively, perceptive prose. Last October, home between U.S. lecture tours, Welshman Thomas recorded a broadcast for the BBC. Last week in the BBC's magazine The Listener, U.S. citizens got a chance to read what Thomas had to say about "A Visit to America...

Author: /time Magazine | Title: MANNERS & MORALS: The Lecturer's Spring | 5/17/1954 | See Source »

Concentrating especially on the great prose writers of the later eighteenth century, Johnson and Edmund Burke, Bate obviously reacts against what he calls Boswell's "one-sided, tavern room portrait of Johnson." Currently preparing his own book on Johnson, Bate's critical approach follows the line of his subject. "Johnson found it impossible," Bate states, "to criticize justly any literary work without keeping the basic needs and desires of man constantly in mind...

Author: By Edmund H. Harvey, | Title: Hoosier Humanist | 5/7/1954 | See Source »

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