Word: proserpinas
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...text, which is exceedingly difficult to assimilate, being highly elliptical, syntactically intricate, and stuffed with multiple meanings, is somewhat abridged here, so that the entire show has a running time of only 170 minutes. For some reason Kahn has adopted hybrid pronunciations for the names Leontes, Paulina and Proserpina; and I wonder whether the Clown's misaccentuation of "lamentably" is intentional. why too must everyone accent occurs some 60 times in Shakespeare, and it almost invariably requires first-syllable stress...
...power in 1946, toured the world's concert halls for nine years before returning home; of a cerebral hemorrhage; in Buenos Aires. During his long exile, Castro led orchestras from Melbourne to Belgrade, brought his lean, thoroughly modern style to numerous Latin-flavored works, most notably the opera Proserpina and the Stranger, which premiered to a tumultuous ovation at Milan's La Scala...
...last-ditch Verdi-lovers turned out to express their disapproval, greeted the opening curtain with whistles, catcalls and shouts of "Vergogna, vergogna!" (Shame, shame!). But the ruckus was feeble compared with the uproar they raised over Gian-Carlo Menotti's Consul and Juan Jose Castro's Proserpina (TIME, Feb. 5, 1951; March...
...curious scene. The stage was split by two large pillars; on either side stood a robed and hooded chorus of commentators, eerie in green and violet light. The action took place on a center stage created between the pillars, and much of it was violent-a skirmish between Proserpina's lover and the police, an old-fashioned hair-pulling and biting scene between Proserpina and her jealous rival, and near the end, a rooftop death battle between a stranger and Proserpina's evil friends. Musically, Composer Castro offered only a dissonant mosaic. There were vigorous Latin rhythms...
...Proserpina got six curtain calls. Said well-satisfied Composer Castro, calmly eating an orange after the final curtain: "Everything was very well organized, even the opposition...