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...disciplinary rules to which the Crimson editorial referred were principally written—Goodwin, who cited the very sources she has been accused of not crediting, had not the slightest intention to deceive, to claim originality for thoughts that were unoriginal, or to appropriate another’s deathless prose in hopes that she might be credited with a literary gift that belongs in truth to someone else. And there can be no doubt that, unlike any number of historians and others who have been caught falsifying as fact what was, in truth, fantasy—either about their...

Author: By Laurence H. Tribe, LAURENCE H. TRIBE | Title: Misjudging Doris Kearns Goodwin | 3/18/2002 | See Source »

Ashbery read from some recent prose-poems and older classics, including his self-declared “one-size-fits-all confessional poem,” “Soonest Mended.” In the poem, Ashbery meditates on “starting out” and “coming back” and how the two are intertwined. But this inevitable cycle is not so much an exercise in futility as it is a constant return to a place of self-searching and inspiration. In “The Painter,” we again see Ashbery?...

Author: By Michelle Chun, CONTRIBUTING WRITER | Title: The Long Journey Home | 3/15/2002 | See Source »

...small island in the Caribbean.” Mr. Potter, nearing his death, rediscovers the “smooth everydayness” of life, of the traveling and travailing he has endured in the driver’s seat of his car. Here the prose is free-flowing, movingly lyrical; Kincaid’s rich voice, tinted with her Antiguan accent, carried the audience along with the words. But the story shifts from a third-person narrative of Mr. Potter to the “I” of one of his daughters, who shares with her family members only...

Author: By Michelle Chun, CONTRIBUTING WRITER | Title: The Long Journey Home | 3/15/2002 | See Source »

...Another unsentimental, unsparing meditation on family and the larger forces that shape an individual's world...As in her previous books, Kincaid has exquisite control over her narrator's deep-seated rage, which drives the story but never overpowers it, and is tempered by a clear-eyed sympathy. Her prose here is more incantatory and hypnotic than ever...taut and often spellbinding...

Author: /time Magazine | Title: Galley Girl: Sharpton and Seagulls | 3/13/2002 | See Source »

...come at you every-other-week after every-other-week with my incisive social commentary. And if my experience over the last month has taught me anything, it has taught me that the pen truly is mightier than the sword. I am not going to say that my eloquent prose was the only reason that the Berlin Wall came down, but I will say that without me you would all be dead...

Author: By Vali D. Chandrasekaran, CRIMSON STAFF WRITER | Title: {untitled} | 3/7/2002 | See Source »

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