Word: proses
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...confirmed. However, confounding all tradition, he has no intention of staying. Unbeknownst to Ruma, her father has already found surrogate female companionship in a widowed fellow traveler, and when she discovers she actually cherishes his company and asks him to stay, he refuses.Lahiri’s simple, direct prose belies the careful plotted nature of her narratives; all is revealed in a single telling detail and the relationships that seem so stable are upended. When Ruma discovers a postcard that her father had written to his lady friend that her son borrowed and attempted to plant in the earth...
Like the detectives and the prosecutors on law & Order, two very different groups of people are responsible for the words that fill the world's magazines and newspapers. There are the writers, who produce the prose, and the editors, who do their best to wreck...
...anonymity and take their satisfaction vicariously. The writer gets all the glory. He gets the big bucks. He gets invited to the parties, the openings, the symposia, while the editors toil at their desks turning the writer's random jottings and pretentious stylistic quirks into something resembling English prose. But that's O.K. Editors don't mind. They say, "Have a lovely time at that writers' conference, and we'll have the rewrite done when you get back." ("And your laundry too, you unappreciative bastard," they mumble under their breath...
...Well, yes and no. Readers may find some of Jiang's purplest prose indigestible. "Desperate cries rose from the herd as the wolves tore into one horse after another - sides and chests spurted blood, the stench of which drove the crazed predators to commit acts of frenzied cruelty," is his description of a wolf attack on a herd of prize horses. "The raw meat in their mouths meant nothing to the wolves: only the murderous tearing of horseflesh mattered." More problematically, the book contains puzzling chunks in which Jiang details his pet theory: that thousands of years of farming have...
Pico Iyer, one of the world's premier prose stylists, has been following the journey of the Dalai Lama since he was a tiny child. In 1960, when Pico was 3 years old, his father visited in India with the newly exiled Dalai Lama and brought back a picture of the shy 24-year-old for his son. That picture sat on Pico's desk for 30 years, until 1990, when a fire roared through his family's house, wiping out everything including the photo and bringing home to him the Buddhist idea of the impermanence of life...