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Word: prospero (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...stalwarts of the Cornell defense are inside linebackers Mike Scully and Mike Prospero, a pair nearly as impressive as Harvard's Joe Azelby and Andy Nolan...

Author: By Gwen Knapp, | Title: Cornell Counting on Harmon | 10/9/1982 | See Source »

Jules, a young delivery boy, Hawkins, the temperamental opera superstar, a Vietnamese punk beauty named Alba and her lover, an cerie, Prospero-like figure who seems to know what's going on at all the most confusing moments in the movie--these are the film's principal characters. Assorted punks and thugs from at least two underground crime operations and a corrupt chief of police also join in the fray. And an attractive policewoman, who ends up the saving the day, makes a brief but efficient appearance...

Author: By Sarah Paul, | Title: Scenes of Paris | 10/6/1982 | See Source »

Mazursky's modern Prospero is Phillip Dimitrious (John Cassavetes), a successful Manhattan architect careering toward a nervous breakdown. He loves his actress wife (Gena Rowlands) but is tired of her. He loves his 14-year-old daughter (a lovely duckling named Molly Ringwald) without quite understanding his paternal possessiveness of her. His rage expresses itself in sudden lightning storms that streak the Manhattan skies and act as the mysterious percussion to the mad music inside his head. Off he goes to Greece, where he finds an earthbound Ariel (the sweetly sensible Susan Sarandon), and finally to his dream isle...

Author: /time Magazine | Title: Cinema: Comic's Demons | 8/16/1982 | See Source »

...climax of this two-hour 20-minute odyssey is a series of ecstatic helicopter shots over Lower Manhattan. It is a refreshing vision-like a crème de menthe sipped at twilight in the Windows on the World, 107 stories above the only dream isle our moviemaking Prospero could live in for long or forever...

Author: /time Magazine | Title: Cinema: Comic's Demons | 8/16/1982 | See Source »

...terribly true. What they fail to say is that unlike Caliban, Bernard is a monster of sly and surpassing charm, and, like Prospero, his magic wand is the English tongue. He ends a characteristic diatribe on the erosion of the English class structure with the observation that "soon there'll be more photographers than people to be photographed." On the effects of alimony, he reflects bitterly: "Idle men produced an age of elegance. Idle women merely multiply hairdressers...

Author: /time Magazine | Title: Theater: Dire Octopus | 2/1/1982 | See Source »

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