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Rehearsals begin tonight for the Harvard Theater Workshop's final production, Shakespeare's "The Tempest," director Albert Marre 1G said yesterday. The cast will include Robert Fletcher '50 as Prospero, Thayer David as Caliban, Jan Farrand as Ariel, and Naomi Raphaelson '50 as Miranda...

Author: NO WRITER ATTRIBUTED | Title: Casting Finished For 'The Tempest' | 3/29/1949 | See Source »

...theater-a farewell of mingled enchantment and ennui. Done with trying to make sense of life-or even of a play-Shakespeare pitched upon a strange island world almost outside geography. There, while his playwriting became a tangled, stunted vine, his poetry blazed like a burning bush. There Prospero, the banished Duke of Milan, tended his daughter Miranda, shipwrecked his enemies by waving his magic wand, ruled over the spirit Ariel, all speed and light, and the monster Caliban, that "freckled whelp hag-born." There also the shipwrecked men tediously conspired and caroused. When, at the last - his enemies forgiven...

Author: /time Magazine | Title: The Theater: Old Play in Manhattan, Feb. 5, 1945 | 2/5/1945 | See Source »

...also a less poetic one. In The Tempest, with its wonderful language, words speak louder than actions; not everybody in the Webster production knew how to utter them. Arnold Moss was a sonorous and commanding Prospero, Frances Heflin a sensitive Miranda. But as Ariel, Ballerina Vera Zorina let a good many speeches dwindle, and her grace was cold rather than sunlit. As Caliban, Negro Actor Canada Lee could not (like Shakespeare) make poetry of ugliness. Stressing the rather dull comedy also shattered the mood; the revolving stage was more practical than atmospheric. This generation may never see a livelier Tempest...

Author: /time Magazine | Title: The Theater: Old Play in Manhattan, Feb. 5, 1945 | 2/5/1945 | See Source »

Arnold Moss is an impressive Prospero with an incisive voice that gives force and significance to some of Shakespeare's most moving poetry. France Heflin portrays Miranda with an air of innocent wonder that is truly beautiful. Ballet is not out of place in "The Tempest," and Vera Zorina's Ariel has exceptional grace, if not marked dramatic excellence...

Author: NO WRITER ATTRIBUTED | Title: PLAYGOER | 1/12/1945 | See Source »

...belief in Christ, Poet Auden finds the substitute for the egotistical fantasy of Prospero and the contemporary artist, and for the wish-dreams of the man-in-the-street. For the time being...

Author: /time Magazine | Title: Books: Farewell to Fantasy | 9/11/1944 | See Source »

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