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Roth has always examined the perverse. For those who have followed Roth's heroes from dysfunctional adolescence, Mickey Sabbath is the logical endpoint: a cruel, brilliant, hormonal misanthrope, heartless and soulful. By now, dysfunction seems too kind a word to describe the protagonist's modus operandi. What we have here is malfunction...

Author: By David J. C. shafer, | Title: Roth's Latest Tells Compelling Story of Hormonal Misanthrope | 12/14/1995 | See Source »

...Gina's story is fodder for TV and movies because there's lesson in there," said Curtis M. Dickson, Grant's uncle, who watched the program. "(The protagonist of the episode) killed again, but that's not Gina. She would never do that...

Author: By Ariel R. Frank, | Title: TV Plot Based on Grant Case, Dunster Deaths | 11/17/1995 | See Source »

...five of these Gen-Xers work at Bowl and Brass, a cheesy Crate & Barrell/Pier One hybrid. Using flashblacks and present-day scenes, Matteau tells a series of interlinking stories about the protagonist Jen, her slacker-poet boyfriend Joe, Joe's exgirlfriend (and Jen's ex-best friend) Joan, Jen's boss Jack, who nurses crushes on both her and Joan, and June, the dippy new shift supervisor...

Author: By Emily J. Wood, | Title: 'Coffee' Is Harmless Drink | 11/9/1995 | See Source »

...movie is clearly successful in creating a bond between the viewer and the protagonist. By bringing us into the family through Rachel's flashbacks we are convinced of the absurdity of traditionalism. It is no longer quaint but disturbing, as are the individuals whom it portrays. Rachel's disdain for traditionalism becomes ours and we long as for its cradication. But, the bitter taste the movie leaves us with is the realization, that like family ties, these ties to tradition are virtually indestructable. They will continue to haunt even those who try to escape...

Author: By Cristina Slattery, | Title: 'Sh'chur' Groundbreaking | 11/9/1995 | See Source »

...Academy Award for Best Picture, John Schlesinger's "Midnight Cowboy" enjoyed considerable success despite its straightforward depiction of prostitution and homosexuality. The use of nudity and profanity, though shocking then, allows a frank portrayal of the seamier sides of city life as encountered by the story's protagonist, country boy Joe Buck (Jon Voight) looking to settle down with a rich city woman. Particularly offensive at the time were two scenes between Voight's character and homosexual johns, including a middle-aged man whom he physically assaults. But the most striking aspect of the film involves the relationship (somewhat reminiscent...

Author: By Nicolas R. Rapold, | Title: Screening the FORBIDDEN at the HFA | 10/26/1995 | See Source »

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