Word: protagonist
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...Taylor's move, pitting him against longer odds, establishes him as the true protagonist of the show. At a time when many of the best TV dramas feature antiheroes (House, Breaking Bad, Mad Men), he's a rarity: an example of classical virtues - integrity, loyalty - depicted without gush or cynicism. His signature locker-room slogan "Clear eyes, full hearts, can't lose" would be moving regardless, but the Gary Cooperlike Chandler makes us see the grit and belief with which Taylor delivers it, even when he's pumping up a team he knows probably will lose...
MacFarlane's best show, American Dad, is also his lowest rated - maybe because it isn't simply a remake of Family Guy. Yes, its protagonist, CIA agent Stan Smith, is a nuclear-family patriarch. And where Family Guy has a talking dog and Cleveland a talking bear, Dad has both a talking alien (a show-tune-obsessed card with a voice like Paul Lynde's) and a talking goldfish. (See the worst TV spin-offs of all time...
There’s nothing inherently modern about John Eccles “Semele.” Written at the beginning of the 18th century, the Baroque opera narrates an Ancient Greek myth about a mortal protagonist whose jealousy for her divine lover costs her her life. But Harvard Early Music Society’s production of “Semele,” which ran this past weekend at the New College Theatre, manages to spruce up the antiquated setting quite a bit, perhaps predictably arranging the action in America’s own period of mythical free love...
...original story of Semele, which William Congreve adapted for his libretto, is a oft-told tale. The titular mortal protagonist falls in love with Jupiter, king of the gods. They have an affair, but when Jupiter’s jealous wife Juno finds out, she swears revenge. Furious, Juno disguises herself as a mortal and appears to Semele, convincing the poor girl to question Jupiter’s immortality. Semele, unaware that the sight of Jupiter in all his divine glory is fatal, demands to see him as a god. He begs her not to, but she stands firm...
...Diggers” and R.E.M. in the “Shiny Happy People” video—attempts to remedy this fact with her new film, “Motherhood.” The film marks a departure for Uma Thurman, who plays the protagonist, Eliza, a harried Manhattan mother who struggles to throw her daughter’s birthday party and compete in an essay contest during the same difficult day. In a recent roundtable interview, both Dieckmann and Thurman shared their thoughts on the importance of honestly depicting everyday family life, the challenges of parenting...