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Word: protagonists (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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Usage:

...vein of “Urinetown” or “Avenue Q,” self-conscious about the ridiculousness of musical theater. But instead, the minds behind “High Fidelity” attempt to make Hornby’s decidedly shiftless and self-centered protagonist sing enthused anthems about slackerdom and genuine ballads about his (poor) treatment of women...

Author: By Kristina M. Moore, CRIMSON STAFF WRITER | Title: Let's Get It On? No, Let's Leave the Show | 10/12/2006 | See Source »

...begin with a protagonist whose girlfriend is “not at all like the other girls”—perhaps because she’s Canadian, or perhaps because she bites him and turns him into a werewolf. We end in an Edenic forest that allows the strange couple to live a blissfully nude life with fellow werewolves. In between, we’re treated to some freaky visuals, some funny ones, and not nearly enough nifty dancing from the ultracharismatic band...

Author: By Patrick R. Chesnut, CRIMSON STAFF WRITER | Title: PopScreen: TV on the Radio, "Wolf Like Me" | 10/12/2006 | See Source »

Patricia Cornwell and her amazing ability to write crime novels is another case in point. Cornwell has slowly abandoned the tight, protagonist-focused style that made her prize-winning debut “Postmortem” so compelling. Instead, her last few books have adopted a multiple-viewpoint narrative method that omnisciently probes the minds of both heroes and villains...

Author: By David Zhou, CRIMSON STAFF WRITER | Title: Cornwell Abandons Forensics and Scarpetta in ‘At Risk’ | 10/11/2006 | See Source »

Unfortunately, there isn’t a clear victim in this divorce, no protagonist with whom to identify. Joyce and Marshall are so malevolently calculating, so odiously sadistic, that I couldn’t help but detest both of them...

Author: By Kyle L. K. Mcauley, CRIMSON STAFF WRITER | Title: A Sadistic Divorce Undeterred by 9/11 | 10/4/2006 | See Source »

...Garrigan over with his charm and luxurious taste. Only a hint of capriciousness foreshadows his insane dictatorship. Whitaker’s charistmatic portrayal never wavers, but his character fades from charming to terrifying. McAvoy holds his own against Whitaker, solidly portraying an inherently weak character. Garrigan is an unheroic protagonist, who struggles as much to accept Amin’s evil as he does to act on his moral misgivings. Garrigan finds himself fallen into a world of moral relativism, highlighted by the character of Nigel Stone (Simon McBurney, “Friends With Money”), a British statesman...

Author: By Melissa Quino mccreery, CRIMSON STAFF WRITER | Title: The Last King of Scotland | 9/28/2006 | See Source »

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