Word: proto
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Dates: during 1990-1999
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...small national artistic community through one of the most tumultuous epochs in the history of European painting. The assembled works provide an overview of the transition that was taking place across the Western world from traditional eighteenth century portraiture, through a school of the national landscape, to proto-Impressionsim. Kobke's Copy of Eckersberg's Portrait of Thorvaldsen (1828) boasts an intense dramatic tone, vaguely reminiscent of David or other French portraitists of the era. Kyhn's landscapes suggest the influence of Corot. To complete the simultaneous development, Kroyer's blurry seascape in Self-Potrait Painting on Skagen Beach...
...vast majority of the population," says a Western diplomat, "is sitting and waiting until the situation is resolved for them." In the streets of Havana there is little proto-capitalist bustle. The government says 86,000 people out of Cuba's 11 million have applied for the required license, but it is not easy to find the new mom-and-pop enterprises. Canadian mining executive Bill McGuinty thinks his Cuban co-workers are eager to learn capitalist ways -- up to a point. They are shocked by his attempts to bypass bureaucracy and befuddled by the quid pro quos of networking...
...arranger Jim Steinman's ambitious album Bat Out of Hell (1977), Meat Loaf gave clarion clout to rock's first decadent period. The Bat LP sold oodles; one cut (Two Out of Three Ain't Bad) was a hit single; another (Paradise by the Dashboard Light) became an influential proto-video. And for a moment or two, Meat Loaf was a movie star...
...arranger Jim Steinman's ambitious album Bat Out of Hell (1977), Meat Loaf gave clarion clout to rock's first decadent period. The Bat LP sold oodles; one cut (Two Out of Three Ain't Bad) was a hit single; another (Paradise by the Dashboard Light) became an influential proto-video. And for a moment or two, Meat Loaf was a movie star...
...Dada classic Four Saints hangs onto the fringe of the repertoire by virtue of its pigeons-on-the-grass-alas text by Stein and Thomson's proto- minimalist, oompah-pah score. Even so modest a renown is likely to elude Lord Byron, just given a handsome first recording by conductor James Bolle leading the Monadnock Festival Orchestra and a cast of mostly unknowns...