Word: proto
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...virus, carried by the popular media and infecting anyone who has a little talent and big gaudy dreams. The difference is that, in many other shows, the Warner Bros. star whom the hero might dream of being is not Cagney but Bette Davis, patron saint of bitchery, proto-queen of camp...
Much as it cheered Ronald Reagan, who, more than Schweik or Candide, is the real proto-Gump. Reagan too was relentlessly upbeat. Reagan too was extraordinarily lucky. And his luck, like Gump's, was often built on the backs of people who suffered off-screen. Forrest had bankrupt shrimpers, martyred Vietnam buddies, and his wife, whose death was remarkably demure, considering her ailment. Reagan scored points off America's poor; somehow managed to cloak himself in heroism while apologizing for a needless screw-up that killed 241 U.S. servicemen in Beirut; and avoided tarnishing his reputation for optimism by spending...
According to Queenan's analysis, Jett's love of Nietzsche reveals a "glaring dysfunctional personality trait" which indicates "colossal dishonesty." In Queenan's philosophy-free world, Nietzsche is "the deranged proto-Nazi most celebrated for the theory...that the Supermen will one day rule the world." After a couple of selective quotes, Queenan's point becomes clear: anyone sick enough to read Nietzsche must be a lying thief...
...combo and John Lennon (Ian Hart) was its soul. Paul McCartney (Gary Bakewell) and George Harrison (Chris O'Neill) only whined and purred, respectively, while Lennon and Sutcliffe did the heavy lifting. John, you see, was Liverpool's own angry young man and the sole creator of this proto-punk, ur-grunge band (don't you love revisionism?). And Stu, preening moodily, was John's closet love god -- before a brain tumor drove Stu mad and killed him, thus establishing his credentials as a rock Rimbaud...
...small national artistic community through one of the most tumultuous epochs in the history of European painting. The assembled works provide an overview of the transition that was taking place across the Western world from traditional eighteenth century portraiture, through a school of the national landscape, to proto-Impressionsim. Kobke's Copy of Eckersberg's Portrait of Thorvaldsen (1828) boasts an intense dramatic tone, vaguely reminiscent of David or other French portraitists of the era. Kyhn's landscapes suggest the influence of Corot. To complete the simultaneous development, Kroyer's blurry seascape in Self-Potrait Painting on Skagen Beach...