Word: protosevich
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Dates: during 2000-2000
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...Onofrio's twisted serial killer, but the invitation is just as much Tarsem's, as he bids us to enter a world in which the confines of narrative structure simply melt away. The problem with this visually arresting picture however, is that its disturbing aesthetic too often overwhelms Mark Protosevich's underwritten screenplay, which is really nothing more than a pedestrian serial killer thriller at heart. Yet so much of Tarsem's imagery - such as the first haunting glimpses of Lopez as a seductive slave to subconscious - leaves an indelible impression on the mind. He may not capture the artistic...
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