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...progression in three-dimensionality. The horizontal and vertical black lines that run across Mondrian’s “Composition with Blue, Black, Yellow, and Red” clearly emphasize the geometric, flat nature of the piece. To its right, El Lissitzky’s “Proun 12E” continues in the vein of Mondrian’s geometric shapes and two-dimensionality, but manages to take one step further in creating the illusion of jutting out toward the viewer, approaching three-dimensionality. Charles Sheeler’s “Upper Deck” again...

Author: By Victoria D. Sung, CRIMSON STAFF WRITER | Title: Harvard Art Up for "Re-View" | 9/18/2008 | See Source »

Twentieth century art has been rich in didactic rooms, in which an artist set forth to construct an exemplary environment: Lissitzky's Proun Room, Van Doesburg's project for a university hall, Schwitters' Merzbau, Kandinsky's music room, and so on. Nevelson's palace is of their company. Yet its motives are not didactic; they are closer to folk art, to the "ideal palace" made from junk by the French postman Cheval from 1879 to 1912, or the Watts Towers built by Simon Rodia in Los Angeles. Collection, repetition, unification: these are the elements...

Author: /time Magazine | Title: Art: Night and Silence, Who Is There? | 12/12/1977 | See Source »

...unbuilt tower, the monument to the Third International, was greeted as transcending more bourgeois spectacles like the Eiffel Tower. It was the incarnation of struggle: "For the first time," a critic exclaimed, "iron rebels and wants to acquire its own artistic form!" El Lissitzky's marvelous series of Proun paintings, with their intersecting planes and crystalline forms, were like Utopian landscapes, referring to Russia's industrial future and dismissing its agricultural present...

Author: /time Magazine | Title: Art: Trends of the Twenties | 10/10/1977 | See Source »

...avant-garde of the past. Before Lenin died and the hand of Stalin squashed experimental art like a bug, the link between "revolutionary" art and revolutionary politics in Russia was closer than it has ever been in the West. The idealist abstract order of works like Lissitzky's Proun, 1919, was deeply connected to social visions of Utopia: when Tallin designed his extraordinary spiral tower as a monument of the revolulion, there was no doubt in his mind thai the appropriate language for radical politics was radical design. The energy of that period ran through the entire fabric...

Author: /time Magazine | Title: Art: Momentous Happening in Moscow | 4/11/1977 | See Source »

...number of original drawings by Turner, Proun, and sevenal, other English, artists have lately been acquired by the Department of Architecture, and are now on view at the Fogg Museum, where they will remain until the new Architectural building is completed. They hang upon the south wall of the upper gallery, on the left hand side of the door...

Author: NO WRITER ATTRIBUTED | Title: New Drawings at Fogg Museum | 12/12/1900 | See Source »

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