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...trouble began this past summer when British producer Cameron Mackintosh announced that English actor Jonathan Pryce would reprise is starring role as a Eurasian pimp in the Broadway version of the much heralded London musical. The Actor's Equity Association and several members of the theater community opposed Mackintosh's casting decision and in response Mackintosh threatened to cancel the show...

Author: By Liza M. Velazquez, | Title: Rewriting the Script | 10/4/1990 | See Source »

After a few weeks of negotiations with Equity, Mackintosh agreed in writing to cast Asians in central and understudy roles. Pryce also consented to discontinue the use of eye prosthetics and make-up which made him appear Asian...

Author: By Liza M. Velazquez, | Title: Rewriting the Script | 10/4/1990 | See Source »

Public debate surrounding Miss Saigon revolved around two poles of thought. Perhaps Actors' Equity had a right to demand that Pryce's role be reserved for a minority actor since few performances are so custom-made for affirmative action casting? On the other hand, perhaps the union was infringing upon the rights of both producer and actor involved in what may be viewed as a case of reverse discrimination...

Author: By Liza M. Velazquez, | Title: Rewriting the Script | 10/4/1990 | See Source »

...knew that it was time to deal with what we saw as a moral issue." Equity president Colleen Dewhurst says in Equity News. "But once we went beyond Mr. Pryce's application and exploded into the issue of whether or not Mr. Pryce had a creative right to play this role, we then invaded an area in which we do not belong--ever--and that is the question of our denying anyone freedom to make an artistic choice--good, bad or indifferent...

Author: By Liza M. Velazquez, | Title: Rewriting the Script | 10/4/1990 | See Source »

...casting of an English actor in a Eurasian part affronted some Asian Americans, including playwright David Henry Hwang (M. Butterfly). Last week the board of Actors' Equity -- a union representing 40,000 U.S. performers and maintaining a reciprocal arrangement with its British counterpart -- refused to grant Pryce permission to appear on Broadway because he is not Asian. So far, so predictable: Mackintosh was expected to take the matter to arbitration and win his case, while the protesters reaped some sympathy and publicity...

Author: /time Magazine | Title: Theater: Will Broadway Miss Saigon? | 8/20/1990 | See Source »

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