Word: pseudo
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Dates: during 1950-1959
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...describes two shallow, dissolute Italian youths who are transformed into passionate tragic characters in a play they are acting out on a hot summer afternoon. The dialogue, though rough in many places is done with some skill and the illusion of the character transformation is reasonably effective. The vast, pseudo-profound generalizations in the tragedy sequence are not always successful, and a number of Revere's phrases (the title, for instance) though pleasant sounding, and even suggestive, have no actual maening. Even with these limitations, however, A Wind of Light is a creditable piece, and should be interesting...
...original. It is still about the social, marital, and personal maladjustment of a "working-class intellectual," a university-educated sweet-stall operator named Jimmy Porter. In his frequent periods of depression, Jimmy still has recourse to blowing his Dixieland trumpet, and when feeling good he still composes pseudo-music hall songs combining sex and sociology, one of which is entitled "Don't Be Afraid to Sleep with Your Sweetheart Just Because She's Better Than...
...governments move into the cool, white villas the colonial officials left behind, the continent is clearly slated for a series of strongman governments. No more pointed advice exists for the African politician than the pseudo-Biblical com mandment inscribed at the bottom of Kwame Nkrumah's statue, which stands outside the Ghana Parliament. "Seek ye first the political kingdom," it says, "and all other things shall be added unto...
Experimenting with the form of classical tragedy, Mr. Miller has introduced a pseudo-Greek chorus in the character of Alfieri, the neighborhood lawyer who comments on and occasionally participates in the action. This part is intelligently and movingly played by Dean Gitter, though one might wish he had chosen either to perfect or to ignore the Italian accent. His last soliloquoy was particularly effective, I felt...
...comedies" for All's Well, Troilus and Cressida, and Measure for Measure. But let's face it: All's Well simply is not a comedy, dark or otherwise--unless one wants to render the term meaningless by applying it to anything with a happy or, as in this case, pseudo-happy ending. (Actually, this ending is utterly absurd, unbelievable, perfunctory, and, for a man of Shakespeare's stature, inexcusable--the sort of thing one finds at the end of so many Hollywood movies when the makers suddenly run out of funds. One could almost say that all would be well...