Word: pseudonymity
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Today, the two leaders of the Office of Envigado, whose aliases are "Sebastian" and "Valenciano," are feuding for total control over its drug-trafficking network. "There are two bosses, and there can only be one," says "Eduardo," a pseudonym given to a narco-trafficker ruling over several of Medellín's most violent neighborhoods, who spoke on condition of anonymity. As an estimated 150 to 300 criminal bands fight over control and turf, "the civilian population is caught in the middle," says Ana Patricia Aristizábal, the human-rights delegate of Medellín's ombudsman's office...
...German philosopher Immanuel Kant. But Botul, it turns out, is not a real person - he's a fictional character created five years ago by Frédéric Pagès, a journalist at the French satirical weekly Le Canard Enchaîné. Using Botul as a pseudonym, Pagès published a verbose book on Kant in 1999, which was intended to be a playful dig at French intellectuals. "Everyone knew it was a joke," says Pierre Assouline, author of The Republic of Books, a blog published by France's biggest daily, Le Monde...
...past two years, an anonymous critic has been making DGF sightings her mission, posting to this mock fan blog under the charged pseudonym Grimke, taken from the 19th-century intellectual Angelina Weld Grimke...
...star attraction, the actress Lena, played by Cruz. In the 14 years since her death, Lena has been deeply mourned by her lover Mateo (Lluís Homar), a movie director who was blinded in the same car crash that killed her. He now works under the playfully turbulent pseudonym Harry Caine, as in hurricane. He needed a new name, he says, because the real Mateo died with Lena. But now he learns of the death of Ernesto (José Luis Gómez), a wealthy businessman who financed Lena's entrance into movies and whom Mateo blames...
...humor piece led him into movies, he learned to deliver work that was fast and good and never slowed the pace. If his name didn't appear on recent films, that's because he wrote the Beethoven movies, Maid in Manhattan and last year's Drillbit Taylor under the pseudonym Edmond Dantes (taken from The Count of Monte Cristo). In his prime he was known for writing 74 script pages in a night and rarely taking more than five days to complete a first draft. (Read a 1986 TIME cover story on Molly Ringwald...