Word: pseudonymous
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Dates: during 1950-1959
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...editor and publisher of Confidential Hy Steirman, said that the story was written under a pseudonym. "The Holiday Club," he explained, "is not a club like the Porcellian Club, but rather the name for a sort of clique." Confidential's information on the Holiday Club stops about a year to a year and a half ago," Steirman added...
...Oscar-awarding ritual is Hollywood's biggest pitch for dignity, but two years ago dignity suffered. When one Robert Rich was announced as top original writer for The Brave One, he never stepped forward. Robert Rich was a pseudonym, masking one of about 150 Hollywood writers (plus an estimated 75 actors, producers, musicians) blacklisted by the industry since 1947 as suspected Communists or fellow travelers. The case was particularly embarrassing because the Motion Picture Academy had barred any Communist or Fifth Amendment pleader from Oscar competition. Last week both the Communist rule and the mystery of Rich...
...replace the U-brush with some H's and cured her of saying "Oo-er! Wot an 'at!" After that it was onward and upward-showgirl with C. B. Cochran and Noel Coward, playgirl with palace guardsmen and aristocrats. Trouble was that along with a pseudonym, the ex-Lily had concocted a sort of pseudo-family tree and she never knew when someone was going to cry, "Timber!" In 1933, she decided the U.S. was the best place for a self-remade girl...
...Random House; $3.95) bears the pseudonym Middleton Kiefer on the front, on the back helpfully lifts the disguise: the author is a committee, Harry Middleton and Warren Kiefer, onetime P.R. men for the drug firm Chas. Pfizer & Co. Writing at double strength, they achieve one of the most moving scenes of nobility in defeat since The Song of Roland. Pressagent Joe Logan has corrupted a war hero and seduced his fiancee while boosting a dangerous new tranquilizer; he is about to ditch his boss as a Senate committee begins to ask unpleasant questions. But the sight of his employer cruelly...
...only fitting that the latest writer to try it is a mystery novelist. Shelley Smith's U.S. publisher is devoted to keeping her identity a mystery. But Mrs. Nancy Bodington does not mind identifying herself. She is a lady in her 40s who has used the pseudonym Shelley Smith for "mysteries because she wanted to save her real name for "the kind of books I wanted to write, such as Rachel Weeping." On the strength of this book, the more remarkable because she has no children, she is almost ready to use her own name. If it does...